Monthly Archives: November 2011

“We Don’t Read That Way”

ACRLog welcomes a guest post from Laura Braunstein, English Language and Literature Librarian at Dartmouth College.

I was chatting recently with a professor in my liaison department who was beginning research for a new book. Did she have everything she needed? Was there anything I should look into ordering? Yes, she said, the library was pretty well stocked with books and journals for the topic. However, many of the books she needed we only had as ebooks – for those, she would order print copies through interlibrary loan.

One of my colleagues had a similar experience. He was talking to several of his liaison faculty about a new ebook collection in the Humanities. The collection would be great, they told him, when they needed to look something up quickly, or search for a mention of a particular topic. But they would still want print books for serious study – ebooks weren’t the same, they told him, “we just don’t read that way.”

Many of these professors own Kindles or other ereaders, and love them – for reading the latest Ruth Rendell mystery on a six-hour flight to France to visit an archive. It’s one thing, they tell us, to read for pleasure on a screen – but it’s quite another to read for understanding, for critique, for engaging in the scholarly conversation. And this isn’t a generational matter – some of the faculty I know who seem most committed to print are younger than forty.

Does reading in the Humanities necessitate the long-form, linear, analog experience of the codex? Even when I tell these professors about the features available in some of the new ebook platforms – highlighting, annotation, sharing notes, etc – they still assert that they “just don’t read that way.” (And what applies to reading is even more crucial in writing – when it comes to tenure or promotion, they tell me, no monograph “born digital” would ever “count” in the way a print book would.)

Ebooks seem like sweet low-hanging fruit – they have enhanced searchability, accessibility at any time or place, and reduced storage and preservation costs. What’s not to love? Ebooks seem to make our students very happy. Often they don’t want to read a book cover to cover (although their professors might wish they would), and searching for relevant passages seems to satisfy their needs for many assignments. And journal literature seems exempt from the preference for print – I haven’t heard many complaints about deaccessioning back runs of print journals represented in JSTOR’s collections, for instance.

Is a user who routinely requests a print copy when the ebook is in the library’s holdings just multiplying the costs we thought we were saving? Should we deny these requests? Should we tell our Humanities faculty that even if they “just don’t read that way,” they should, because that’s the way the world of scholarly communication is moving in most other fields? Do we need to change their habits of reading, and habits of mind? Do we lead them to new formats or follow their preferences?

Publishing Fat Cats, Collection Curation, and Serving Today’s Patron

ACRLog welcomes a guest post from Heidi Steiner, Distance Learning Librarian at Norwich University.

The greatest reflection I find myself having following this year’s LJ/SLJ Ebook Summit is only vaguely about ebooks. Instead my mind is circling around balance. I tuned in to the “Marketing Ebooks to Students” panel ready for ideas about how I can get the online students I work with even more sold on ebooks to fill their immediate needs. I greatly enjoy Library Babel Fish and was excited to hear Barbara Fister’s perspective, which turned out to be: “I’m not quite ready to market ebooks to my students yet.” Barbara raised many questions we should all be thinking about. Her probing questions touched on patron privacy, censorship, preservation, sharing, putting money into yet more temporary licensed bundles, the long-term ramifications of providing patron driven acquisitions for last-minute needs, curating collections for the future, and talking to our patrons, both students and faculty, about what they really want. As a result, my brain is now in a seemingly inescapable conundrum.

While Barbara was speaking, I found myself focusing on her mentions of patron driven acquisitions (PDA) and trying to rectify her well-argued thoughts with my personal mental framework around PDA. Most people probably think of patron driven acquisitions in the most traditional sense: patrons initiating purchases of books for the physical collection. This may be in place via request buttons in the library catalog or some other mechanism. With ebooks in the fold, there are also plenty of libraries experimenting with patron driven ebook acquisitions. In my mind, I go directly to the model of PDA we use at my library, which is built around on-demand ebook rentals. Herein lies where my internal struggle begins. How do we balance standing up to the man, curating collections for the future, and serving the patrons we have now?

At Norwich University we serve an array of unique populations, including corps of cadets and civilian on-campus undergraduates and entirely online students in the School of Graduate and Continuing Studies. Our online students are on a tight course schedule with most in 6-credit hour, 11-week graduate courses, many with steady research requirements. At the library, we are constantly looking for ways to make necessary resources available quickly and seamlessly for all our patrons, but the online students pose the greatest challenge. This is notably important considering the impossibilities of physical interlibrary loan for books when students are around the globe. Collection and content curation can only take a small library so far, especially in serving such a diverse group of patrons. For us, patron driven acquisitions, specifically ebook rentals facilitated with Ebook Library (EBL), are a stop gap in the hole of needs and expectations. We choose what of the EBL catalog to make visible in our collection, patrons can see five minute previews of any given ebook and then request a loan. Ebook rentals default to a week and we pay a percentage of the ebook’s retail price with each rental instance. A purchase trigger goes off after the third rental to stay cost-effective. In my mind, our model of PDA at Norwich is more easily equated with interlibrary loan than collection development.

I often cannot help but ask myself why we are throwing money at publishers to buy books with roughly a 30-40% chance of circulating, when we can provide students with on-demand rentals thus guaranteeing use. What are we giving up by feeding the fat cat publishers and using collection development policies to make a best guess at what might get used one day? It’s a double-edged sword. We are feeding an industry that restricts knowledge to only those with access, while still curating a collection for the future, but may not be providing the resources our patrons need now; it is impossible to predict each possible need. On the flipside, what are we giving up with PDA in any of its possible incarnations? Depending on the scenario, it could be a lot or a little. PDA could mean sacrificing the integrity of our future collection, but it can also mean a satisfy patron today and knowing money spent was actually used for something. Fister’s short yet very powerful talk definitely provides some further clues to both answers, but it seems to me that nothing is that cut and dry.

We are maintaining balance through a combination of traditional, liaison program based collection development and patron driven ebook rentals at Norwich, but I cannot honestly say we are doing much to fight the fat cats…yet. In her talk, Fister argued we should be reinventing the academic monograph, as we are already spending money on books and just might posses the expertise to make it happen. This is an awesome thought and worthy quest, but where do small libraries fall in scholarly content creation? Certainly we can load open access ebook records into our catalogs, as Fister suggests. We can also work towards open access awareness, encourage and push publication in open access journals with our faculty and practice it ourselves, but what role can small college and university and libraries legitimately play in production?

I want to cultivate services that are right for our patrons now, but also desire building a library that is sustainable into the future. How are your libraries reacting as publishers keep an iron fist and ebooks proliferate, all while patron driven acquisitions meet immediate needs? Where do you find balance?