Category Archives: Information Literacy

Indies, Vanity, and Predators: Helping Faculty and Students Find Publishers

How many times have you or your faculty received this message?

Dear Dr. Colleague,

We at Intellectual and Smart Publishers would love to talk to you about publishing “INSERT PAPER TITLE HERE” in our issue of Smart Things in Science. We offer expedited review!

So and So, 

Intellectual and Smart Publishers

When the Framework for Information Literacy for Higher Education approached “Authority is constructed” little did we know the importance that our work would play in ongoing discussions on the national level about “fake news.” But the contextual and constructed nature of information was given a deeper hold within our field with news of the shut down of notorious Beall’s List.  The list, which black-listed publishers deemed by Beall as predatory, was a tool which I used (with a necessary grain of salt) to counsel faculty and student interested in publishing their work. Beall’s enemies, and there were many, celebrated while his supporters, again many, wondered about how libraries and librarians will spread the news about the predators in our wake without his list.

How do we define predatory publishers? Predatory publishers (or vanity publishers as they were once known) are publishers with very little, if any, editing or peer review process. Maura Smale wrote a piece several years ago responding to an uptick of press about predatory open access publishers. Any presenter at any national conference will know these predators as their form letters seek to publish your presentations often without knowledge of what you even spoke about. They tout “expedited publishing process” and high impact values, while giving very little in return for your investment of dollars for publishing. Slate writer Joseph Stromberg has an excellent piece on publishing his thesis with a notorious publisher.

Writing in 1958, Howard A Sullivan explained that “the very use of the term vanity publishing implies contempt for the book produced and a judgement on the author and publisher—on the former because he has chosen an unorthodox way of attempting to achieve a recognition his talent does not merit, and on the latter because he has pandered to another’s weakness for his own profit.” (Sullivan, Howard A. “Vanity press publishing.” Library Trends 7, no. 1 (1958): 105-115. )

Weakness is an incredibly loaded term, but we are naturally suspicious of the merit of books published under such circumstances and of the scholar themselves for their unwillingness to be judged by a jury of their peers. Would books published this way merit publishing through traditional processes? Perhaps but also perhaps not.

Overwhelmingly, these predatory publishers target our most vulnerable university community members, who are driven to “publish or perish” to continue the cliché. (Lud?k Brož, Tereza Stöckelová, Filip Vostal do a nice overview of “bloodsuckers” in publishing) Students and new faculty are often pressured to publish at any cost and these emails fill that need to publish anywhere and everywhere. Yet, we know that Howard Sullivan’s view is the norm rather than an exception; the scholar caught publishing without peer-review is scorned in the university community.

A quick search online for “vanity press” or “predatory publisher” and “tenure” see many a frustrated new academic weighing the decisions between not publishing and publishing with a less desirable press. Karen Kelsky, the “professor is in” advice columnist, has approached this topic several times. Summing up that “Putting a book out with an obscure press is not much different than having no book out at all, in terms of gaining a tenure track job or tenure.” (http://theprofessorisin.com/2012/09/21/does-the-status-of-the-press-matter/) While not specifically talking about vanity presses, but merely unknown presses, it is clear that the quality of the press is a significant focus of tenure committees and the angst of new professors.

So, what can Libraries do?

If anything, this is an information literacy issue. Determining which presses are worthy of your work is something that should be taught in new faculty seminars by librarians whose expertise in the fields of publishing should help guide those led astray. Just as how we feel condescending when we teach searching to our students, it will feel just the same, if not worse, when teaching faculty where to publish. Teaching how we determine the value of information (another hallmark of the 2016 framework) will help our faculty in choosing where to publish, and in the end make them more successful in their career. Even if we assume that our colleagues in faculty positions are experts in their fields and highly educated, the intersection of need to publish and the predatory nature of these publishers “tricks” even the most brilliant into giving their work to them. But the researcher is not the only one tricked by these publishers.

The other thing we should consider is who buys these materials. I’m sorry to say that the primary purchasers of these books are libraries, given their price and often microscopic academic viewpoints. We might be the only institutions or persons capable of purchasing such expensive books. We must make an effort from a collection development standpoint to not purchase these books for our collections. In the past month or so I’ve worked with our collection development experts to create policies to prevent Utah State University from purchasing books from suspected predators.

There is a huge problem in proclamations like this because the disgust over predatory publishers and vanity presses bleeds into ongoing discussions over the merits of indie publishers and self-publishing. Self-publishing and indie publishing are not straight line indications of lower quality or predatory materials, but it is often difficult to see the differences. In an account of self-publishing in OCLC records, Juris Dilevko and Keren Dali write, “as large mainstream publishers become focused on profit-and-loss statistics (Schiffrin, 2000) and as the demands of bookstores stoke the corporate emphasis on bestsellers (Epstein, 2001), librarians should remember that self-publishers often release titles that would not typically find a home with a profit-oriented publisher. Self-publishers may be one of the last frontiers of true independent publishing.” (Dilevko, Juris, and Keren Dali. “The self-publishing phenomenon and libraries.” Library & information science research 28, no. 2 (2006): 208-234.)  This complicates an already muddled picture of what a library should collect; where questions of authority and how to deem a book worthy of our dwindling dollars, are becoming more and more difficult.

If faculty ask students to use peer-reviewed sources, should we not ask the same for the books we purchase? The end result would be a world devoid of the divergent voices that appear in indie and self publishing, yet save us from the troubles caused by predatory and vanity presses. A policy, perhaps, where fiction from self-publishing is acceptable but non-fiction is unacceptable? A change in how we value information and published works is in order, yet who will lead that charge?

There are no concrete solutions to these issues, but I know if I need to publish on it I’ve already got several offers.

 

More than a Mausoleum: The Library at the Forefront of Digital Pedagogy

This is adapted from a talk at the Utah Symposium on Digital Humanities, February 11th 2017 in Salt Lake City, Utah. 

Over the last decade, we’ve witnessed a shift in the ways in both everyday folk and academics encounter the world. The promise of web 2.0 and the rise of the network has seen the input of every individual increase in importance. For universities, the consequences of this go well beyond social media presences or heated debates in comment threads, it challenges the very nature of the ivory towers our universities are constructed on top of. Some of the more nostalgic set have opined about the “death” of the traditional library and how universities need to “Save the stacks.” Are we losing the traditional library to chase digital trends?

Even I got in on the fun…

No longer are libraries cenotaphs of long dead books but a growing organism contributed, curated, and built by the members of the university community. A focus on digital pedagogy, allows librarians the flexibility to enter this new age of librarianship with a clearer idea of what we’d like the library to be 10, 15, or 20 years from now.

Not a library, a real cenotaph. (Flickr CC BY-NC 2.0)

Rick Anderson tells us it is a commonality amongst new librarians to say that the collection is dead. Rather than death, I think of it as a transition as significant as the one from scroll to codex, or manuscript to print.

I am choosing to illustrate how I see the future of collections shape up in the digital future. Buildings come in different sizes and shapes, staff perform different roles but collections, that is items preserved for use by research are common in most if not all library experiences throughout history. The collection forms the backbone of our pedagogical role.

With this in mind what are the principles of digital pedagogy in modern librarianship?
  1. Student voices matter, as much as established ones, in the conversation.
  2. Access goes beyond the limits of the library and campus
  3. The future of library is based on student needs both pedagogical and inspirational and the collection needs to mirror this.

By focusing in on the creation of scholarship by students into collections we are building upon the library’s core historical strengths while improving the teaching done in classrooms. We also exhibit examples of student work and learning to the world in perpetuity.

Librarians are often assaulted with comments that “all information is on the internet” and while many have struggled against this assumption and beaten it back in deference to our job security it is a fact that the internet has fundamentally changed the way that we receive information. As Lyman Ross and Pongracz Sennyey comment in “The Library is Dead, Long Live the Library” published in the Journal of Academic Librarianship  “the Internet has lowered the cost of propagating information to negligible levels. This fact diminishes the value of local collections and services. Libraries are no longer islands of information.”(Ross and Sennyey pg 146)

And as the digital world encroached on the library, as it did on most of our lives and interactions, the edifices faded. First it was the building, allowing access outside of the footprint of the traditional library, then it was the staff who became teachers rather than guardians, what happened to our prized collections?

David Lewis in Reimagining the Academic Library comments that “Until quite recently what constituted the scholarly record seemed clear, or at least we understood that portion that was the library’s responsibility.” (Lewis 32) But that now we have entered a new stage of ambiguity caused by digital objects. Information Literacy exists against this backdrop of unclear scholarly records.

This has led some researchers, David Lewis included, to argue that the maintenance of non-unique print collections should no longer be a focus of academic institutions. Instead, digital collections, costing significantly less to maintain and often times infinitely more usable and accessible than singular print copies. While a shift away from the collection of books and toward the teaching and the impacting of students is necessary, I argue it is not an end to the collections based approaches that define the library.

While I do not completely agree that our print collections are no longer necessary, our communities are pushing our hands when it comes to demanding access to more digital materials, outside of the building, and off of campus.

The loss of the stacks is mourned by many nervous colleagues. Some of this nervous energy has prompted change in library circles. When the Association of College and Research Libraries introduced a new framework for information literacy, it was met, as all change does, with both praise and scorn.

Part of this framework was a large redefinition of the task of research, which increasingly takes the focus of librarianship away from books and dust and places it into the classroom.

One movement in particular that I believe is of note here is the idea that of “Scholarship as Conversation”

The framework states that “Communities of scholars, researchers, or professionals engage in sustained discourse with new insights and discoveries occurring over time as a result of varied perspectives and interpretations”

Part of this is the necessary focus on citations as a communicative tool between the researcher and the past, but buried in here is the way in which we can use the tools of the digital to promote our student’s incorporation into this community.

“New forms of scholarly and research conversations,” the framework continues, “provide more avenues in which a wide variety of individuals may have a voice in the conversation.”

It is through digital pedagogy that we have the chance to offer our students keys to this conversation, either through publishing, the creation of exhibits, or the production of knowledge itself. Libraries then need to be at the forefront of this transition, from static collections based and traditional “gatekeeper” mentalities to the research driven and student driven collection creation.

While librarians have been quick to reject the gatekeeper mentality, faculty in fields across campus have been hesitant to give up the reins of the academic conversation. Some institutions have had long histories of undergraduate research prior to the age of the internet, it is the openness in the digital world that prompted a revolution in student publishing.

Char Booth explains in “Open Access as Pedagogy” that digital publishing “grants privilege and power to student authors, gives them space to assert their intellectual agency, allows them to enter the academic conversation and…maybe alter some professional paradigms.”

Entering this academic conversation encourages students to reject the monolithic scholarly record that dominates our ideas of the University, and telling students their voice matters allows a reconfiguring of the idea of research. The best way to understand research is to conduct it yourself. There are more tangible reasons this is innovative.

Char Booth continues “With that newfound power comes responsibility; with Open Access comes exposure…leads these already ambitious students to dig deeper into primary and secondary sources, to think harder about their meaning and value to their scholarship and to argue more effectively and write more forcefully.” (Booth 6)

Feeling that student work is often too “un-polished” or “not up to par” with the rigorous examinations that come after years of graduate school. Some are worried that student work will impact their own standing as professional academics. Bad student work with a faculty name on it reflects poorly on mentorship.

In giving the keys of scholarship to our students we promote not only their work but the University as a whole; much like open access creates exposure for us on the Tenure Track, our students become examples. By opening up the collection to reworking by students we not only improve their education but we break down the barriers that hold new ideas back.

It rejects the model of the library as a singular direction where the collection is controlled by the librarian and lent to the student or researcher. Instead it breaks down those barriers to encourage the exchange of information and ideas across all levels.

Nowhere on campus is better for this kind of interdisciplinary engagement, and nowhere is better suited for the task of preserving collections, albeit digital ones, then the organization trusted with this preservation since Alexandria. This is not a death for the library, or of the collection, but a new beginning.

Growing a peer digital learning program

I’ve been working with colleagues at my institution over the course of the past year to launch a peer digital learning initiative. The program kicked off this past August with our “Learning in the Digital Age” pre-orientation program. Each year, my institution offers a few four-day pre-orientation programs to incoming undergraduate students. These programs give interested students the chance to arrive on campus early before orientation, meet other first-year students with similar interests, and connect with upperclass students, faculty, and staff who serve as program leaders. In our “Learning in the Digital Age” pre-orientation, our program-specific goals were to give students hands-on experience with various digital technologies being used for teaching and learning on campus, generate conversation around what it means to a learner and citizen in the digital age, foster awareness of and reflection on personal agency in learning, and invite students to help build our growing digital learning program in the year ahead. In addition to general community building and fun (LED frisbee was a particular hit), and helping students feel comfortable on campus before the semester started. Hats off especially to our student leaders without whom this program would have floundered.

Once the fall semester began, approximately half of the students who participated in the pre-orientation program plus the upperclass student leaders continued on into our Digital Learning Assistant (DLA) training program. A few other upperclass students excited about digital learning joined training, as well. Our primary goal was to prepare students to serve as tutors to other students in need of assistance with digital learning projects assigned in courses. During the fall semester, students in the training program participated in online and face-to-face activities to help advance their knowledge of core digital tools that faculty use most often in their courses for blogging, digital archives and data visualizations, digital mapping and GIS, digital storytelling, and e-portfolios. Each student selected one of these tracks for their first area of focus. We collected relevant readings and training resources and developed “challenges” to help the students develop proficiency in the area. Students gave short presentations as a culmination of their first semester training.

An important part of the DLA training program is to help students not only develop technical skills, but also think about ways they’ll be able to mentor other students trying to learn these tools as well as consider the tools/skills in the context of digital identity and digital literacy. We used a selection of readings (like Watters’ “The Web We Need to Give Students,” Rikard’s “Do I Own My Domain If You Grade It,” and Vygotsky’s “Interaction between Learning and Development”) to jumpstart reflection and conversation in these areas. The challenges students worked on during training, in addition to other activities, asked students to consider these aspects, as well. This semester, the DLAs began offering drop-in hours to assist students, while also continuing their training on both the technology and peer teaching fronts.

As we begin to gear up for year two, we’re thinking about how we’ll refine and revise both our pre-orientation program and our DLA training program. Our program has so far been inspired by our institution’s rich peer learning culture, as well as similar projects at other institutions like University of Mary Washington’s Digital Knowledge Center. We’re also guided by our shared interests in fostering student agency, developing communities for peer learning, and growing critical digital literacy skills and perspectives. I imagine these goals and values are also near and dear to many ACRLog readers, so I’m eager to hear your thoughts. What do you think are the most important questions, concepts, and models for building a peer digital learning program? What activities, readings, and resources do you think are valuable to help develop a peer learning community around technology, digital literacy and identity, and student agency? I’d love to hear your thoughts in the comments.

Hypothes.is and the dream of universal web annotation

Digital, networked technology has irrevocably altered the way humans process, analyze, and share information, a reality not lost on those in scholarly communications, where traditional modes research and publishing are (albeit slowly) evolving to embrace the potential these advancements offer. Some developments include the rise in open access publishing, an increase in scholarly blogging, sharing of datasets, electronic lab notes, and open peer-review. Another effort gaining traction among academics and publishers is facilitation of online annotations, aimed at promoting an ongoing dialogue in which scholars and other individuals comment on, highlight, and add to information published on the web. Continue reading Hypothes.is and the dream of universal web annotation

Information Literacy and Fake News

ACRLog welcomes a guest post from Candice Benjes-Small, Head of Information Literacy and Faculty Outreach, and Scott Dunn, Associate Professor of Communication, at Radford University.

One day in September, a relative emailed me a link and asked, “Should I share this on Facebook?”  I took a look at the linked article, which had an extremely loaded-language headline and made some brutal accusations about one of the presidential candidates.  I didn’t recognize the news source hosting the article, and none of the more mainstream news sites mentioned the story. I visited my go-to fact checkers, like PolitiFact and Snopes, but found nothing about the article topic or the site. I told my relative that I couldn’t verify anything in the story or the site, so I recommended she not share it further through social media.

I didn’t know it at the time, but this was my first real engagement with what came to be called “fake news.”  Since the election, much has been written about this phenomena, with Politifact calling it the 2016 Lie of the Year.  Librarians have pointed out that acceptance of fake news shows a weakness of information literacy skills, and have published suggestions on how libraries can counteract fake news here and here (to name just a few). The Stanford study has added fuel to the discussion, suggesting university students have very weak evaluation skills.

Of course, as just about any instruction librarian will tell you, source evaluation is a complex skill. As Mike Caulfield so eloquently argues in his piece, Yes, Digital Literacy. But Which One?,  an information seeker needs a certain amount of subject expertise to truly judge whether a source on the topic is credible. And in this NSFW article, Chuck Wendig explores some of the problems of convincing people to read an article that goes against their worldview with an open mind.

But as an instruction librarian, I’m not ready to throw in the towel. Our students are going to read fake news, and I think we can encourage them to approach sources critically. As I posted to the ILI-Listserv in September 2016:

We have a solid lesson plan for evaluating Web sites  but I’m looking for one that focuses on news sites.  For example, there were a lot of conflicting reports about what actually happened during Trump’s visit to Flint last week. How could the average person figure out which story to trust?  What can we teach in a one-shot that would help students to evaluate the media?… My ideal lesson plan could be taught to freshmen in a 50-minute workshop, would be very hands-on, and would not leave them thinking, “All media are biased, therefore you can’t trust any of them.”

I discussed my quest with a few colleagues. My conversation with Dr. Scott Dunn, professor of communication, was the one that gave me the most traction. Scott’s research interests include politics and mass media, so he had been watching the fake news about the presidential election with interest. He understood my concerns that common suggestions for evaluating sources often centered on superficial characteristics, such as whether the site looked professional, or used criteria which were not as appropriate for news sites, like the URL’s top-level domain name (.com, .edu, .org). I proposed that readers needed to analyze the content of the stories themselves and look for hallmarks of quality, but I wasn’t sure what those might be, or what would be realistic to expect from your average, non-expert reader.

We first grappled with a definition for “fake news.” While it initially seemed to mean hyperpartisan stories, did it also include intentionally fake ones, like the satirical Onion? What about stories that turned out to be false, such as The Washington Post’s (now corrected) story about Russians hacking into the electric grid?  More recently, people have begun using the phrase “fake news” whenever a story doesn’t fit their world view. As Margaret Sullivan wrote in her piece, It’s time to retire the tainted term fake news, “Faster than you could say ‘Pizzagate,’ the label has been co-opted to mean any number of completely different things: Liberal claptrap. Or opinion from left-of-center. Or simply anything in the realm of news that the observer doesn’t like to hear.”

Rather than focus on identifying fake news, then, we decided it made more sense to teach students how to recognize good journalism. This dovetailed well with my initial instinct to focus on the quality of the content. Scott and I, with some help from the Stony Brook University’s Center for News Literacy, developed these tips:

  1. Avoid judgments based solely on the source. Immediately following the election, there were numerous attempts to quantify which sites were trustworthy, such as Melissa Zimdars’ False, Misleading, Clickbait-y, and/or Satirical “News” Sources and infographics that attempted to showcase media outlets’ biases. The methodology used to classify sources is often opaque, and it’s impossible for anyone to keep up with all the Websites purporting to be news. Many sites may also have a range of credibility. Buzzfeed has published some strong political pieces, but it also pushes listicles and silly quizzes, making it hard to say it’s always an authoritative source.
  2. Refer to the Society of Professional Journalists’ Code of Ethics. While it is written for journalists, many of the principles are ones a reader can identify in a story, such as whether the author seemed to verify facts; took care not to oversimplify or sensationalize a story, even in its headline; and explained why anonymous sources needed to be unnamed.
  3. Differentiate between perspective and bias. Having and writing from a point of view is not the same as cherry picking your facts and twisting a story unfairly. We should be able to read something that doesn’t fit our own world view with an open mind, and not automatically reject it as “biased.” We should also help learners understand the difference between editorials and commentaries, which are intended to be argumentative and express strong opinions, and news stories, which should not. Good news journalism will not mix the two.
  4. Find the original source of the story. Many sites will harvest news stories and then repackage them without any additional research or reporting. Like a game of telephone, the farther away you get from the original report, the more mangled and corrupted the story becomes. Often the original story will be linked, so you can just click to access it.  Encourage students to read this story, rather than relying on the secondary telling.
  5. Check your passion. If a story incites you, it may be too good or too outrageous to be true. For example, the pope did not endorse Trump OR Bernie Sanders. These stories can be created by satirical sites and then picked up by other outlets, which treat them as straight news; or they can emerge from the darker Web, feeding conspiracy theories like Pizzagate. Fact checking is essential for readers of these stories, using all of the above best practices.

Now how could I put all of this into a one-shot? In addition to my online research, I talked through my (somewhat stream of consciousness) thoughts with the other members of the library instruction team, who provided strong feedback and guidance. I collaborated with my colleague, Alyssa Archer, who brought her experience with critical pedagogy to the final lesson plan.  All that was left for us to try teaching it! I’m pleased to share that Alyssa and I taught the class multiple times in the fall, and have shared the resulting lesson plan, Evaluating news sites: Credible or clickbait? on Project CORA. We weren’t able to include all of the tips, but we continue to discuss how to incorporate them in future workshops.

I feel like the “fake news” phenomena is one that just keeps morphing and growing. I could probably write a whole lot more about this but I’m more interested in hearing what you think. How do you think information literacy can counteract the post-fact narratives- if it can at all? What tools and techniques do you recommend?