Like many librarians in all kinds of libraries I was delighted when the Digital Public Library of America launched last Spring. I’m probably not alone in having lost time searching through the content that the DPLA’s portal website provides access to, marveling at the images, objects, and information held by libraries, archives, and museums across the U.S. I’m still not exactly sure how I can intentionally use the DPLA in my practice as an instruction and reference librarian, but I’m continuing to think on the possibilities.
One of the great things about the DPLA is its API (application programming interface) that allows developers to access the metadata collected by the DPLA and create applications that use the DPLA’s searchable content. So far ten apps have been created — all are highlighted on the DPLA website. I’ve read a bit about (and played with) several that seem to have the potential for use in academic libraries:
WP DPLA Plugin
During this past June’s THATCamp at the Roy Rosenzweig Center for History and New Media (RRCHNM) at George Mason University, developer Boone Gorges won the Maker Challenge with this plugin for the WordPress blogging/website software. Once installed, the plugin uses the tags attached to a blog post to search for and display random items from collections available via the DPLA website. The resulting illustrations are fascinating, especially if the words used as tags have very different meanings. Boone is also the lead developer on a WordPress-based teaching and learning platform at my college, the City Tech OpenLab; my colleagues and I are looking forward to installing and playing with this plugin soon.
The most recently released DPLA app also seems to have lots of promise for use by academic librarians and researchers. Just three weeks ago the RRCHNM* held its National Endowment for the Humanities-funded One Week One Tool institute, in which twelve folks from academia, museums, and libraries came together to create a digital tool for research and teaching. The resulting website, Serendip-o-matic, strives to inject some serendipity into browsing digital collections. Simply paste text into the box on the website’s homepage and Serendip-o-matic returns items from collections at the DPLA as well as Flickr Commons, Europeana, and Australia’s Trove. Serendip-o-matic can also search tags from a Zotero account, which is pretty nifty. Here’s a snapshot of the results I got with some text about my research on undergraduate scholarly habits (click image to embiggen):
Finally, just for fun (and because so many academic librarians use Twitter), who couldn’t love the DPLA Bot? Created by Davidson College professor of Digital Studies Mark Sample, DPLA Bot is a bot (short for web robot, an automated application that runs over the internet) that uses a random keyword to search the DPLA and tweets out a link to the result. The bot runs several times per day; here’s one of my favorite tweets from this week:
I can install a WordPress plugin and tweak HTML or CSS, but that’s about the extent of my programming chops these days. For those of us who are unlikely to create DPLA apps ourselves, how might we use the existing apps in our academic library work? What other kinds of apps could be developed for academic and research libraries to use with DPLA collections?
Last month, I shared my plans for creating “flipped” library instruction sessions. Now, after wrapping up my last flipped session, along with several conversations with my colleauges, and the opportunity to co-facilitate a “Flipped Classroom” faculty workshop, I am still digesting and evaluating all that I have learned. However, there are a few key takeaways that are bubbling to the forefront of my mind and actively shaping the rest of my instruction this semester.
“Did you know the whole section would be about my topic?” Or – Understanding the flipped classroom as a vehicle for active learning
As I planned my flipped sessions, I struggled with understanding how flipped instruction is related to “active learning” and/or “problem-based learning. The library instruction program at my university already places a heavy emphasis on incorporating active learning exercises into our sessions, and we regularly attempt to tie library instruction directly to the course research assignments. This means that as I worked on my flipped session, I found myself modifying some existing in-class activities to promote deeper levels of understanding, rather than starting from scratch.
In one class, I had enough time to ask first-year students to search the catalog for a book about their research topic, go into the stacks to find their book, bring the book back to class, and then debrief about the experience with their classmates. It was much more effective, and quite frankly more fun, to talk about LC Classification and Subject Headings after one student spontaneously exclaimed – “I picked TWO books about my topic because I realized THE WHOLE SHELF was about sports technology!”
After this experience, I’ve come to understand my flipped classroom as a vehicle for creating additional space for active learning in the classroom. Of course, there is no such thing as “the” flipped classroom, and other interpretations of the flipped classroom abound. For me, the providing students with a pre-class “lecture” foundation on which they can build upon with active learning in the classroom was more successful than trying to cram both tasks into the regular class time.
“Oh… those videos before class weren’t optional?” Or – Students might not complete the pre-class work. And that’s O.K.
Of course, this ideal “flipped classroom as a vehicle for active learning” assumes students come to class prepared. And a frequent concern about the flipped classroom is: “What if students don’t complete the pre-class work?” Unfortunately, there will always be students who come to class unprepared, and considering what the consequences will be for students if they don’t complete the pre-assigned work is important. Our students are smart – they learn quickly whether preparing for class is really necessary. Designing in-class assignments which require the prior knowledge gained through the pre-class homework is one way to show students it’s worth their while to come prepared.
In practice, other “consequences” for failing to complete pre-class work may mean students must complete the pre-class materials during in-class time before they are allowed to continue to the more interesting and challenging application exercises. We know some students may still struggle through class, since exposure to the pre-class activities does not necessarily guarantee students achieved any level of mastery with the material. In my sessions, I tried to purposefully use group activities in-class to emphasize peer learning, assuming students who completed and understood the material could be models for students who did not. Additionally, students were encouraged to review pre-class video materials if needed, and to ask questions as they worked through their activities.
The short quiz I paired with my pre-class material helped me monitor how many students completed pre-class work and how well they understood the material. In each of my flipped class sessions, over 3/4 of the students completed the work before class; I considered this to be a relatively high success rate. It was also helpful to go into the in-class session knowing the bulk of the class had at least attempted the pre-class work and where the problem areas we really needed to adress might be.
“But… aren’t you going to talk first?” Or – Students are also curious about the lack of direct lecture in class.
Students often comment in their course evaluations or session feedback that library instruction should include more time for activities and less time devoted to lecture. As a new instructor, I struggle with this for a variety of reasons, not the least of which is that creating active-learning based instruction that allows students to “discover” answers to questions or build their own skills is frequently harder than falling back into the “sage on the stage” routine. Of course, there is also no guarantee that students will use class time appropriately when given the requested discussion or problem-based activities. So I was extremely interested to find out how students would respond to the lack of direct, in-class instruction in the flipped sessions.
During my first flipped class, I decided to give a “quick” review of the pre-class material before students started on their activities. Big mistake, since the “review” quickly turned into a regular lecture. However, during my second flipped class I simply asked students to come in and get started on their activity, reminding them they should work together and review the video materials or ask questions, as necessary. At first, they were confused about not starting with a lecture, however they eventually dove into the activity with success. And encouraging students to first attempt the activity allowed me to eventually review only the concepts that the majority of the class was consistently struggling with (for instance, correctly combining both “ANDs” and “ORs” in a complex database search). Overall, this session was much more enjoyable for both myself and my students, and it was one of the few times I left our session confident that class time was used to its fullest advantage.
Talking about teaching has value.
My final point of reflection is not limited to “flipped instruction,” but has grown out of conversations with my colleagues inspired by our participation in the flipped project. Given heavy instruction loads, faculty or student expectations, and other pressing projects, it’s easy to fall back into comfortable patterns of the same ol’ library session. Sometimes, simply carving out the time to talk about teaching seems like a luxury we cannot necessarily afford. Given the increasing emphasis on instruction in academic libraries, our mission to arm students with multifaceted critical information skills, and the trend toward providing evidence that our instruction adds value to the library and our parent institutions, deeper discussions about teaching and pedagogy can’t just be a luxury – they should be the reality.
I am lucky to have a job where I am encouraged to think about teaching, talk about teaching, and take calculated risks to grow as an instructor. Incorporating new pedagogical strategies like the “flipped classroom” is just one example of how this might happen.
Lately I’ve been thinking a lot about pedagogy. To tell you the truth, throughout graduate school I thought very infrequently about pedagogy, assuming that even as an instruction librarian, something as theoretical as pedagogy would be outside of my professional bounds. Though the instruction course offered at my university did touch on the aspects of designing an information literacy curriculum, it was a far cry from being a course in pedagogy. In fact, as librarians, we often become so overworked in our day-to-day tasks of making sure our resources and services are accessible, we can forget that first and foremost, we are educators. And like any highly skilled educators, having a strong grounding in pedagogy is essential to our job.
Pedagogy is, simply, the art of education. It is how we teach, how we connect students to the curriculum, and how we position students to be learners. Pedagogy is the beating heart of the teaching professions. I come from a strong social science background, particularly one poised to challenge and investigate systems of the status quo. I spent all of my undergraduate years studying the prison industrial complex from a gender perspective and my favorite courses in library school were on the politics of classification and knowledge production. Not surprisingly, then, I tend to frame my own librarian practice within a framework of social progress and have only recently begun to consider how to use this framework in library instruction. Yes, I want my students to be skilled in information seeking, but I also want them to be willing and able to think critically about information and the politics through which it’s produced. I take my pedagogy cues from the likes of Freire, hooks, Zinn – in other words, I want my students to be rabble rousers.
I am extremely lucky to be part of an institution with which I share these strong social convictions. My university’s commitment to social justice and radical learning is at the core of all it does, including its library instruction. I, along with the library director, have recently begun developing a comprehensive information literacy curriculum for the library. How can we reframe the ACRL Information Literacy Standards to a more critical perspective? We always have and will continue to have the one-shot in-class library workshops, but we are starting to strategically envision what skills and concepts we want to consistently deliver. In addition to the traditional keyword-forming, full-text finding skills, how can we give students the skills to think critically about the information they both find and can’t find? How can I open the discussion about the problematic nature of academic publishing? Where is the room for this agenda? It’s a lot to fit in the 50-minute one-shot.
I am in no way the first person to think about this. Many, manybooks have been published on this topic and continue to be published. And, indeed, many of the student-centered, critical strategies involve very few bells and whistles. A few ideas that have left me inspired:
include critical reading skills in every workshop. As simple as that! It is as important as knowing how to properly cite a resource or construct a search term.
Have students search for articles on a purposefully controversial topic, like the link between autism and vaccines. Have them note what information is in the peer-reviewed literature, what stance it tends to take, the methodologies it tends to employ, and where alternatives may exist.
Show students how to find and use open-access journals and repositories. The few times I’ve done this, I’ve vetted these sources to ensure they are of high quality and repute (and explain that I’ve done so, using which criteria).
Change the way I organize my lessons. Instead of PowerPoints, I try to structure the lesson according to student suggestions and examples.
Leave the more traditional information literacy skills to Lib Guides and other digital learning objects. I’d rather spend my precious face-to-face time on the more nuanced aspects of information seeking and point them to videos and other online resources to do the more mundane tasks, like how to find full-text.
Where do you draw your pedagogical inspiration? Does your library have an comprehensive information literacy curriculum? Share your thoughts, resources, and inspirations in the comments section, or tweet me @beccakatharine.
Today’s library users do not carry pencils and notebooks to a library. They no longer want to be isolated to concentrate on deep study or contemplative reading when they are at a library. Rather, they have the dire need to be connected to the biggest library the human race ever had, the World Wide Web, always and even more so when they are at a library walking through the forest of fascinating knowledge and information. The traditional library space packed with stacks and carrels does not serve today’s library users well whether they are scholars, students, or the public visiting a library for research, study, or leisure reading. As more and more library resources are moved to the fast and convenient realm of the World Wide Web, libraries have been focusing on re-defining the library space. Now, many libraries boast attractive space almost comparable to trendy, comfortable, and vibrant coffee shops. The goal of these new library spaces are fostering communication, the exchange of ideas, and social learning.
How the loss of book stacks and carrels affects library patrons
However, some library patrons complain about this new and hip research and reading environment that libraries are creating. They do not experience comfort and excitement, which today’s libraries strive to provide in their new coffee-shop-or-makerspace-like library space. These patrons rather miss the old dusty moldy stacks packed with books, many of which were left untouched except by a handful of people for a very long time. They miss the quiet and secluded carrels often placed right outside of the stacks. They say that browsing a library’s physical collection in those stacks led them to many serendipitous discoveries and that in those tiny uncomfortable carrels, they were completely absorbed into their own thoughts reading away a pile of books and journals undisturbed by the worldly hustle and bustle.
This is an all-too-familiar story. The fast and convenient e-resources in library websites and the digital library collections seem to deprive us of something significant and important, that is, the secluded and sacred space for thought and contemplation and the experience of serendipitous discovery from browsing physical library collections. However, how much of this is our romantic illusion and how much of it is it a real fact?
How much of this environment made our research more productive in reality?
What we really love about browsing book stacks at a library
In the closing keynote of 2012 ACCESS Conference last Sunday, Bess Sadler, the application development manager at Standford University Libraries noted the phenomenon that library patrons often describe the experience of using the physical library collection in emotional terms such as ‘joyous,’ ‘immersive,’ and ‘beautiful’ characteristic to our right brain whereas they use non-emotional terms such as ‘fast’ and ‘efficient’ to describe their use of a library’s online/digital resources. The open question that she posed in her keynote was how to bring back those emotional responses associated with a library’s physical collection to a library’s digital collection and its interface. Those terms such as ‘joyous,’ ‘immersive,’ and ‘beautiful’ are often associated in a library user’s mind with their experience of serendipitous discovery which took place while they were browsing a library’s physical book stacks. Sadler further linked the concept of serendipitous discovery with the concept of ‘flow’ by Csikszentmihalyi and asked the audience how libraries can create such state of flow with their digital collections by improving their interfaces.
One of the slides from Bess Sadler’s Closing Keynote
The most annoying thing about the e-resources that today’s libraries offer is that the systems where these resources reside do not smoothly fit into anyone’s research workflow. How can you get into a zone when the database you are in keeps popping up a message asking if you want to renew the session or demands two or three different authentications for access? How can you feel the sense of smooth flow of thought in your head when you have to navigate from one system to another with puzzling and unwieldy interfaces in order to achieve simple tasks such as importing a few references or finding the full-text of the citation you found in an e-book or an online journal you were reading?
Today’s research environment that libraries offers with its electronic resources is riddled with so many irritating usability failures (often represented by too many options none of whose functions are clear) that we can almost safely say that it is designed anything but for the ‘flow’ experience. The fact that these resources’ interfaces are designed by library system vendors and light years outdated compared to the interfaces available for individual consumers and that librarians have little or no control over them only exacerbate the problem. So I always associated the concept of flow with usability in the library context. And considering how un-user-friendly the research environment offered by today’s libraries is overall, asking for ‘joyous,’ ‘immersive,’ or ‘beautiful’ appeared to me to be a pretty tall order.
But more importantly, the obstacles to the ‘flow’ experience are not unique to online resources or digital libraries. Similar problems do exist in the physical collections as well. When I was a grad student, the largest library collection in North America was available to me. But I hated lugging back and forth a dozen periodicals and monographs between my apartment and the university just to get them renewed. (This was the time before the online renewal!) After the delightful moment of finding out in the online catalog that those rare scholarly books that I want are indeed available somewhere in that large library system at Harvard, I grumbled at the prospect of either navigating the claustrophobic rows and rows of stacks at Widener Library in order to locate those precious copies or running to a different library on campus that is at least a half mile away. At those times, the pleasure of browsing the dusty stacks or the joy of a potential serendipitous discovery was the last thing that I cared for. I was very much into my research and exactly for that reason, if I could, I would have gladly selected the delivery option of those books that I wanted to save time and get into my research flow as soon as possible. And I did so as soon as my university library started moving many books to an off-site storage and delivering them on-demand next day at a circulation desk. I know that many faculty at academic institutions strongly protest against moving a library’s physical collection to an off-site storage. But I confess that many times when the library catalog showed the book I wanted as located on the stacks and not at the off-site storage, I groaned instead of being delighted. I won’t even discuss what it was like to me to study in a library carrel. As an idea, it is a beautiful one to be immersed in research readings in a carrel; in reality, the chair is too hard, the space is too dark and claustrophobic, the air is stale, and the coffee supply is, well, banned near the stacks where those carrels are. Enough said.
The point I am trying to make is that we often romanticize our interaction with the physical stacks in a library. The fact that we all love the library stacks and carrels doesn’t necessarily mean that we love them for the reasons we cite. More often than not, what we really like and miss about the library stacks and carrels is not their actual practical utility to our research process but the ambiance.Strand, the used bookstore in NYC is famous for its 18 miles of books. Would you walk along the 18 miles of books even if you know in advance that you are not going to make any serendipitous discovery nor find nothing directly useful for your research topic at hand? Yes you bet. Would you walk by the stacks in Trinity College Library in Dublin, UK even though you are not doing anything related to research? A very few of us would say ‘No’ to such an invitation.
Can you resist walking between these stacks? Our desire doesn’t always correspond to its practical utility.
But the fact that library stacks and browsing them may contribute very little to the actual research output doesn’t mean that the stack-browsing is therefore not useful. To borrow the words of Saint-Exupéry, something is truly useful because it is beautiful (The Little Prince, Ch. 14). Let me explain.
The library book stacks as high as the walls filling up the whole floor generate the sense of awe and adventure in us because it gives us the experience of ‘physically’ surrounded by knowledge. It is magical and magnificent. It is amazing and beautiful. This is where all those emotional adjectives originate. In the library stacks, we get to ‘see’ the knowledge that is much bigger than us, taller than us, and wider than us. (Think of ‘the sublime’ in Kantian aesthetics.) When our sensory organs are engaged this way, we do not experience the boredom and tediousness that we usually feel when we scroll up and down a very long list of databases and journals on a library web page. We pause, we admire, and we look up and down. We are engrossed by the physicality of the stacks and the books on them. And suddenly all our attention is present and focused on that physicality. So much so that we even forget that we were there to find a certain book or to work on a certain research topic. It is often at these moments that we serendipitously stumble upon something relevant to what we were looking for but have forgotten to do so. Between the magnificent tall stacks filled with books, you are distracted from your original mission (of locating a particular book) but are immersed in this new setting at the same time. The silence, the high ceiling, the Gothic architectural style of an old library building, and the stacks that seems to go on forever in front of us. These are all elements that can be conducive to a serendipitous discovery but “if and only if” we allow ourselves to be influenced by them. On the other hand, if you are zooming in on a specific book, all of this visual magnificence could be a nuisance and a bother. To a scholar who can’t wait to read all of the readings after physically collecting them first, the collection process is a chore at best. To this person, neither a serendipitous discovery nor the state of ‘flow’ would be no doubt more difficult to happen in between the stacks.
If this is a relatively accurate description of a serendipitous discovery that we experience while browsing the physical collection on library book-stacks, what we really miss about the traditional library space may well be the physicality of its collection, the physical embodiment of the abstract concept of knowledge and information in abundance, and its effect on our mental state, which renders our mind more susceptible to a serendipitous discovery. And what we are most unhappy about the digital form of knowledge and information offered by today’s libraries could be that it is not presented in the space and environment where we can easily tune our mind into the content of such digital knowledge and information. It is the same Classical Greek text that you see when you pull out an old copy of Plato’s Meno in the narrow passage between tall book-stacks at Widener and when you pull up the text on your computer screen from the Perseus Digital Library. It is our state of mind influenced by the surroundings and environment that is different. That state of mind that we miss is not entirely dictated but heavily influenced by the environment we are present. We become different people at different places, as Alain de Botton says in his book, The Architecture of Happiness (Ch 1). Who can blame a library user when s/he finds it hard to transform a computer screen (which takes her to many digital collections and online resources from a library as well as all sorts of other places for entertainment and distraction) into the secluded and sacred space for thought and contemplation?
Using Perseus Digital Library is way more efficient for research and study the classical Greek texts than using the physical collection on your stacks. However, we still miss and need the experience of browsing the physical collection on the stacks.
How to facilitate the ‘flow’ and serendipity in today’s libraries
The fact that today’s libraries no longer control the physical surroundings of a library patron who is making use of their resources doesn’t mean that there are nothing libraries can do to make the research environment facilitate serendipitous discoveries and the state of ‘flow’ in a researcher’s mind, however. Today’s libraries offer many different systems for library users to access their online resources. As I have mentioned above, the interfaces of these systems can use some vast improvement in usability. When there are as few hindrances as possible for a library patron to get to what s/he is looking for either online or at the physical library space, s/he would be able to concentrate on absorbing the content more easily instead of being bogged down with procedures. The seamless interoperability between different systems would be very much desirable for researchers. So, improving the usability of library systems will take library patrons one step closer to obtaining the flow state in their research while using library resources online.
As far as the physical space of a library is concerned, libraries need to pay more attention to how the space and the environment of a library emotionally affects library patrons. Not all research and study is best performed by group-study or active discussion. Baylor University Libraries, for example, designate three different zones in their space: Silent, Quiet, and Active. While libraries transform more of their traditional stack-and-carrel space into vibrant group study rooms and conversation-welcoming open spaces, they also need to preserve the sense of the physical environment and surroundings for library patrons, because after all, all of us desire the feeling of being in a sacred and dedicated space for contemplation and deep thoughts from time to time. Such space is becoming rarer and rarer nowadays. Where else would people look for such space if not a library, which the public often equate to a building that embodies the vast amount of knowledge and resources in the physical form.
Facilitating the serendipitous discovery in browsing a library collection in the digital environment is more tricky because of the limitation of the current display mechanisms for digital information. In emulating the experience of browsing books in the physical form on a computer screen, the Google WebGL Bookcase has made some progress. But it would be much more efficient combined with a large display mechanism that allows a user to control and manipulate information and resources with gestures and bodily movements, perhaps something similar to what we have seen in the movie, Minority Report. However, note that information does not have to be bound in the form of books in the digital environment and that digital books do not have to be represented as a book with pages to thumb through and the spine where its title is shown . If we set aside the psychological factors that contribute to the occurrence of a serendipitous discovery, what is essential to efficient browsing boils down to how easily (i) we can scan through many different books (or information units such as a report or an article) quickly and effectively and (ii) zoom in/out and switch between the macro level (subjects, data types, databases, journals, etc) and the micro level (individual books, articles, photographs, etc. and their content). If libraries can succeed in designing and offering such interfaces for digital information consumption and manipulation, the serendipitous discovery and the efficient browsing in the digital library environment can not only match but even exceed that in the physical library book-stacks.
The world of higher education has been abuzz this past year with the idea of digital badges. Many see digital badges as an alternative to higher education’s system of transcripts and post-secondary degrees, which are constantly being critically scrutinized for their value and ability demonstrate that students are ready for a competitive workforce. There have been several articles from the Chronicle of Higher Education discussing this educational trend. One such article is Kevin Carey’s “A Future Full of Badges,” published back in April. In it, Carey describes how UC Davis, a national leader in agriculture, is pioneering a digital open badge program.
UC Davis’s badge system was created specifically for undergraduate students majoring in Sustainable Agriculture and Food Systems. Their innovative system was one of the winners of the Digital Media and Learning Competition (sponsored by Mozilla and the MacArthur Foundation). According to Carey,
Instead of being built around major requirements and grades in standard three-credit courses, the Davis badge system is based on the sustainable-agriculture program’s core competencies—”systems thinking,” for example. It is designed to organize evidence of both formal and informal learning, from within traditional higher education and without.
As opposed to a university transcript, digital badges could provide a well-rounded view of a student’s accomplishments because it could take into account things like conferences attended and specific skills learned. Clearly, we’re not talking about Girl Scout badges.
Carey seems confident that digital badges aren’t simply a higher education fad. He believes that that with time, these types of systems will grow and be recognized by employers. But I’m still a bit skeptical over whether this movement will gain enough momentum to last.
But just for a moment, let’s assume that this open badge system proves to be a fixture in the future of higher education. Does this mean someday a student could get a badge in various areas of library research, such as searching Lexis/Nexis, locating a book by its call number, or correctly citing a source within a paper? Many college and university librarians struggle with getting information competency skills inserted into the curriculum in terms of learning outcomes or core competencies. And even if they are in the curriculum, librarians often struggle when it comes to working with teaching faculty and students to ensure that these skills are effectively being taught and graded. Perhaps badges could be a way for librarians to play a significant role in the development and assessment student information competency skills.
Would potential employers or graduate school admissions departments be impressed with a set of library research badges on someone’s application? I have no idea. But I do know that as the amount of content available via the Internet continues to grow exponentially, the more important it is that students possess the critical thinking skills necessary to search, find, assess, and use information. If digital badges do indeed flourish within higher education, I hope that library research will be a vital part of the badge sash.