Taming Tenure as a Newbrarian

Please welcome our new First Year Academic Librarian Experience blogger Dylan Burns, Digital Scholarship Librarian at Utah State University.

This month I’ll end my first “year” at Utah State University, only about 3 months in real human time. That is when my tenure calendar, which trudged on before I was a glint in the eye of my search committee, ends the first year. Given the short amount of time I’ve been in Logan I believe I’ve done well in my position as Digital Scholarship Librarian, but the tenure dossier and meeting I schedule in few weeks still makes me think about the tenure process and what it means for librarians.

How am I approaching tenure?

A common refrain amongst faculty librarians is the “failed academic” route to our success. Many of us dreamed of being on campus albeit as research or teaching faculty rather than where we landed in the library. This doesn’t mean that the library wasn’t ultimately the spot in academia that fit my interests and goals the best; In fact, I will say that I should have been shooting for librarianship for a longer time that I actually was. We all hear stories from kids in library school (I can say that now right? Since I’m library #adulting?) where they knew from a young age that librarianship was their be-all end-all, but I wasn’t one of them.

What this means is that in my prior grad school life, I had a completely different set of research interests and projects which may or may not fit in my life as a librarian (depending on how much you squint). In my previous program I presented and published on gendered bananas in advertising and American diplomacy as well as the end of the world in country music. While the end products of my research, strange discussions of cultural politics of bananas aside, fit well in many humanities departments across the country, these aren’t the research projects that librarians need to make themselves better and improve the larger discipline.

What I do think these prior flights of fancy in scholarship give me is a larger context for the work I ultimately am doing as an academic librarian. In my meetings with faculty I can share these experiences with them and draw from my own previous life as a researcher to better design a digital scholarship unit at Utah State which confronts problems and assuages fears.

In a larger context though, I find that academic librarianship allows us to see the larger picture of both the University but the entire scholarly world. Scholars on campus are brilliantly narrow in their pursuits, a necessity of the current state of academia. Librarians, on the other hand, are interdisciplinary to their core.

This leads to a potential pitfall that all of us face. With the new brand of freedom granted by not having to take classes or read assigned texts I’m left with the burden of this freedom. I guide my own path, with the guidance of experienced librarians and my committee. I chose what to read and what skills to learn. This is a great freedom but also a deep frustration: What I am going to do now? In a lot of ways we are experts in gaining expertise. We guide researchers to their own information needs and goals. How do we do this for ourselves?

With my short year concluding I felt a lot of pressure to hit the ground running. I think that is a burden that all first year librarians feel. We see colleagues doing great work and we judge ourselves against what they’ve been able to do in years rather than weeks. Remembering that we’re new and these connections and projects take time to develop is key to early success. Sometimes we come to our jobs with projects in mind, I have some on the backburner, but when confronted with new environments and new colleagues it is imperative that we jettison those projects if new ones come along. I have taken every single opportunity to work with my new friends and colleagues on projects essential to the future of our library.

What I idealized as the Baudelairian scholar or poet in the tower who worked on scholarship as a singular and lonely force is ultimately the wrong approach. Librarianship is one where we can all work on projects together to further the field. Being open to collaborations and being interested in forming these connections has been one of the most important things I’ve learned thus far.

Furthermore, after decades of school, I think I tend to view most of interactions as competitions. Competitions for grads or grants or for articles or conferences or graduate assistantships and jobs. It is easy to carry this competitive edge into the job and tenure does not discourage that kind of thinking. But I remind myself every day that I am in competition only with myself and any opportunity to cooperate and collaborate carries everyone forward together.

In some ways tenure in library circles mirror current debates about accreditation for library schools, in that these are larger discussions over the professionalization of our occupation. How do we as academic librarians view our status at the university? There are some librarians who believe that we are second class citizens at the university, and I think this, unfortunately, might be more reality than fiction at some schools. What tenure and faculty status allows is a gravitas to our work and our status at the university.

As a first year faculty member, I have been attending workshops and classes with new teaching faculty, and I must pause and take heart that while I’m not a doctor I have the same role in the larger university machine. This is a hard thing for faculty librarians, including myself, to fully cure. But there are opportunities to find common minds in these interactions and I am thankful that faculty status allows me this kind of in with new professors. I research and they research. I teach and they teach. Even in my short time at Utah State some of my most rewarding experiences have been with working with faculty members as equals in the university’s mission.

The Rock and the Hard Place (Part 2): Opening Up License Negotiation

The following is the second in a series of posts on the subscription-based model and open access alternatives, and how each get stuck from their respective ends of the scholarly information supply chain.  In addition to the usual disclaimer regarding my own opinions expressed here, these should also not be interpreted as a substitute for legal advice.

In my last post I outlined one side of scholarly communication — the subscription renewal process – in underrepresented detail, revealing places where it is stuck in arduous workflow, inefficient systems, and complex, problematic licenses. In addition to pointing out the subscription model’s own struggles, I acknowledge its perpetuation works directly against investment in open access alternatives. Seeing the shared predicament from each respective end, I wondered how these two workflows come together in practice. Beyond our company in misery, this post will explore where collaborations, specifically in the realm of licensing, have made progress toward alternatives to traditional publishing and subscription-based acquisition.

Licensing
Contract negotiation is an activity associated with the subscription model that most often occurs when placing new orders or at renewal. In many cases this responsibility is performed by collection management or acquisitions, usually with support of the institution’s general counsel. Scholarly communication staff also interpret contracts as they assist authors in negotiating publishing terms and retention of authors’ copyright. The scholarly communication office might also be involved in contract negotiation if they are a publishing entity themselves. A third player, interlibrary loan, also plays a role in licensing terms, interpreting copyright and fair use as it relates to day-to-day borrowing and lending, and copyright fee payment associated with these activities.

For other obvious reasons, these areas of the library are key stakeholders in the subscription renewal process. If we cancel, what will the faculty reaction be? How will the subscription savings through cancellation effect the cost of ILL? If we renew, what does this say about our efforts in promoting open access? In addition to this, the skillset these faculty share in negotiation and the interpretation of copyright in particular reveals a unique collaborative opportunity for subscription and open access workflows.

Bringing these shared skillsets together in the licensing process allows for a more comprehensive awareness of where contracts can restrict rights granted by copyright law. More specifically these perspectives can quickly identify key terms that can best mitigate that risk and influence other favorable objectives. The LIBLICENSE project is an excellent starting point for understanding general license terms and those specific to the needs of libraries. I highlight examples of some commonly sought terms below for which the collaborative contexts I’ve mentioned have been most helpful in addressing. Relevant pages and discussion threads from LIBLICENSE and other resources are linked within.

In terms of content and acquisition:
• Post-cancellation access (see perpetual license)
• Emergency cancellation clause (see force majeure and early termination)
• Title swap and cancellation allowance
• Content caps on changed or lost content
• Pricing caps – the larger or longer the deal, the lower the cap

In terms of ILL and copyright:
• Allowing ILL with more liberal interpretation for electronic access (see 1997 ILL straw poll)
• Assert/Do not remain silent on copyright (see section 3.3 model license “ No Diminution of Rights” and Fair Use assumptions discussion thread)

In terms of open access:
• Assert author rights (see 3.4 model license “Authors’ Own Works” and also COAR’s 2013 report: OA Clauses in Publishers Licenses )
• Eliminate or ameliorate confidentiality and non-disclosure clauses (see also ARL recommendation)
• Allow for text and data mining (see Request: Text and Data Mining Licenses…Language thread)

Negotiation
Though many of these terms are generally accepted among the library profession and even have the backing of national and international organizations, publishing and other industries have their own generally accepted clauses and the backing of their organizations. This is why it can be difficult, unrealistic even, for the single acquisitions staff responsible for negotiation to push for all these on her own.  A major subscription contract renewal is an important opportunity for many to speak with a unified voice, not just on behalf of buyers and content, but on behalf of authors and of a wider audience of users. In addition to bolstering well known terms and issues, these multiple perspectives are key to introducing new ideas into a traditional negotiation.

Sometimes new ideas (and even traditional ones) will not result in accepted contract terms because they are dealt with entirely separately from the renewal process, or because they do not otherwise match the other party’s entrenched business practices. This can be advantageous from a negotiating standpoint, as losing out on some issues can favorably influence the advancement of others. The fact that some issues are perceived as entirely separate from the renewal process can also be advantageous. Author rights, for example, are often handled through individual author contracts or separate institutional open access policy agreements. While this can sometimes prevent their inclusion subscription agreements, by recognizing the separation itself the negotiation lends a stage to raise important issues more boldly without directly jeopardizing the terms of renewal.

New ideas I’d like to see in renewal negotiation discussions involve taking what is often the licensee’s obligation and making it a mutual or licensor obligation. One example is caps on changed and added content. Publishers often allow a clause that addresses when a percentage of content lost by a publisher can trigger breach or renegotiation. But aside from title cancellation and swap clauses – which are rare and require a significant amount of time and effort by the library to invoke — there is nothing to prevent a publisher from acquiring and adding content to a package for which the libraries are required to take on in their renewal spend. Another has to do with advance renewal or offer deadlines. As outlined in my previous post, publishers often require advance notice of cancellation, but there is nothing that requires publishers to provide the library with advance notice of major changes that might influence a cancellation decision, like new package offerings or an entirely new license contract. I’d also like to explore clauses that might address the myriad ways payment for published research is replicated across the institution (aka double-dipping), such as with the libraries paid subscription and the author’s open access article processing charges.

Closing the deal
In any change, the individual and organizational commitment to cooperation can be the hardest, but most important first step. In future posts, I’ll lay out ways organizational structures, workflows and individual skills might lead to more frequent and improved collaborative work on these issues.

Breaking the big deal of a major subscription renewal and reinvesting in open access will certainly require a deeper investigation into economics of open access and subscription infrastructure already well-covered by the literature. Perhaps, as with licensing, if we look at these economics more carefully with a different group of eyes and minds, new practical alternatives will emerge.

Following the road of assessment

This Fall semester has been taking off like a rocket. It’s been a little less than a month, but library instruction has been taking up a good chunk of my time. At my institution, American University, we have a program called College Writing. This program requires all incoming freshman to take at least one section of College Writing.

Every faculty member that teaches College Writing is paired with a librarian. At least one library instruction session is required and it’s up to us to shape the lesson so that it’s relevant to the student’s’ current assignment.

This semester is a bit different. I had a total of 18 sections of College Writing, compared to the nine sections I had last Fall. I was prepared for a busy semester. Oh boy, has it been busy and it’s only been 2 weeks!

I could be as detailed as I want about my routine, but it’s basically a chain of communication. I ask the faculty member about learning outcomes, what they want out of this library instruction day, what skill level their students are at, and are the students quiet? Do they participate? Details like these help me out a lot, since I will only see the students in the classroom once or twice in the semester.

As I scheduled classes, reserved rooms, and worked on my class outlines, I struggled with how I would incorporate assessment into my lessons. Assessment is a topic I have been thinking about for a while. To be honest, this was a subject that I had been avoiding because it was something that made me uneasy. I have always told myself “I’ll do it next semester” or “I’ll find more information about it later.”

However, it’s been a year since I have started my job at American and decided that this semester it was time to incorporate assessment into my library instruction. When I think of assessment, I tend to think of a ton of data, a desk full of papers everywhere, and an endless amount of work (OK, I like to exaggerate). Now, I do have some forms of assessment in my classes, but it’s in the form of the questions I ask the students in order to evaluate their familiarity with not only the library, but the resources that we are using in class.

Assessment comes in many forms, but I specifically had one method in mind. Over the summer, I worked with another colleague in doing library instruction for the Summer Transition Enrichment Program (STEP). This program provides incoming freshman with preparation for academic success. STEP is a 7 week residential program that helps students with the transition from high school to college. They have a class that is very similar to a College Writing class, meaning, they have a research paper due by the end of the program. One of the components of that class is a library instruction day. As my colleague and I started preparing to co-teach one of the classes, she asked what form of assessment I do for my College Writing classes.

Immediately, I felt ashamed. All the time I had put assessment off and this was the moment where I finally had to own up to it. However, I have awesome colleagues who don’t poke (too much) fun at me. She talked about the post class questionnaire that she usually did with her students. Together, we came up with a couple of questions for the students in the STEP class. It was not a long process whatsoever, but I came to see that there is actually nothing scary about it, like I had thought.

There are many different types of assessment, ones more complicated and time consuming than my little questionnaire. However, I wanted to start small and with something I was comfortable with.  My library instruction classes only started last week, but I remember getting back the questionnaires and leaving them on my desk for a couple of hours. I was afraid to look at them. What if the students did not learn anything? What if they hated me? What if I was the worst librarian ever?

After a couple hours, I needed to log my classes into our stats. I counted the questionnaires and look through them. To my surprise, the students did well. Now, this is an assessment to help me analyze what the students had trouble comprehending and also the areas where I need to do better.

And guess what happened? I found one area where I realized I needed to explain better and spend a little more time on. It’s only the beginning of the semester and I have already found ways to improve upon and this is what it’s really about. To me, assessment is an opportunity to learn about your teaching and improve as you go along.

As someone who is new to this, I want to continue to learn about assessment. There are a couple of resources that one can turn to:

-Look at your own institution to see if they offer any workshops on assessment. What resources do they offer to help their staff or faculty?

-Research other institutions to see if they have assessment in place or an assessment toolkit

-Research the literature on instruction and assessment to see how other institutions go about it

Finally, your colleagues will be your most valuable tools. What assessment do they do? Take them out for coffee and ask them!

I still have a couple more College Writing classes, but I am going to make it my goal to incorporate even more assessment for next semester’s classes. In other words, I am going to make myself accountable. For next semester, I will write another post on how I plan to incorporate more assessment into my teaching, but I also want to know from our readers, what assessment do you do for library instruction? Stay tuned!

Test for E.C.H.O.

ACRLog welcomes a guest post from Marc Mason, Library Undergraduate Services Associate at Arizona State University Libraries.

I had one of those days today. One of those rare ones, the kind of day where you walk around with a little more bounce in your step, your chin tilted a bit higher. It was a day where – hallelujah! – validation rained down upon my shoulders and washed away some of the frustrations I’ve felt lately on the job.

We could all use a few more of those days. Mine came about courtesy of our university’s International Students and Scholar Center. Prior to school starting, they held a day-long conference for all incoming international graduate students. This is the second time that the ISSC has put on this conference, and they have generously included me as a breakout session speaker each time. Last time out, around 20 students came to my talk, which I will admit was disappointing. I suppose the competition during that time slot was fierce, but my library-guy pride to this day still kind of believes it can’t have been that fierce and more students should have come to see me.

Arrogance? Sure. But I think libraries could use a little more swagger.

Because of that tiny turnout last time, I had little in the way of expectations going into this second conference. So it was more than a bit shocking when I arrived at my room to set up and saw that there were 240 chairs arranged in the audience. I can take a joke at my expense, but this had the look of something that was going to be embarrassing. I swear I felt my sense of pride start to shrivel. The time ticked down. The previous session finished. I held my breath.

A flood of people poured into my room. 180 of them as a matter of fact.

Floating on air, I did my thing, offering up the library services I wanted them to know about, and keeping them laughing all the way through. When I was done, over two dozen stayed to talk to me further. Like I said: it was incredibly validating. May each and every one of you have a day like that, and soon – that’s my wish for you.

I’ve been working with the international population for over seven years now, and in general, it is always my favorite part of my job (even when it isn’t one of “those” days). The opportunity to meet and teach people from all over the world is truly a gift. It has also put me in a position to speak at conferences on international student topics and to meet amazing colleagues from across the country in the process. It has given me the opportunity to see humanity in an incredible light, and to truly take a stand for tolerance. I would not trade it for anything. My job gives me the chance to continuously learn, both on an academic and on a cultural level.

I have occasionally been asked about best practices for working with international students, and with that in mind, I decided to put into words how I go about working with these student populations and their extraordinary cultural differences. I call it “Test for E.C.H.O.”

E stands for Empathy: The first thing you can do is show your capability for understanding. These folks have traveled thousands upon thousands of miles to be at your institution. Sometimes they have traveled for almost three days depending on long layovers. They’re far from home, they cannot get home easily, and everything is somewhat scary. The signage is in a second language. The odds of any random cashier speaking their native tongue is slim. Local foods may not sit well with their digestive systems for a while and they may get sick for the first few weeks of being here. Oh, and they may not see their families for a year or better. The whole process can be wildly intimidating, and all it takes is one bad interaction with a local to make them question their life decisions.

Don’t be that local. Keep some of the above in your mind and let it guide you in how you approach working with these students.

C stands for Care: After you have shown empathy, follow that up by demonstrating that you believe that they matter. That you care about them as fellow human beings. Don’t allow that physical distance they’ve traveled to become an emotional one as well. (Life need not always batter us with metaphors.) I can’t even begin to tell you how many students I have worked with over the last few years who responded to simple moments of genuine caring. Creating that connection grounds that student to the university and provides them a human connection to their educational experience.

Be that connection. It’s great for them, and I promise it’s great for you as well.

H stands for Humor: Different cultures have different senses of humor, that much is certain. But laughter creates a bond between you and the international student that will be of enormous benefit.

There is a tendency among many in our profession to take themselves very, very seriously. And I get that – we are the gatekeepers for information, freedom fighters against the tyranny of government overreach, yadda yadda yadda. However, that seriousness can also be rather intimidating, not just for our international students, but for all students. This sometimes places our expectations for students far out of reach for where their real capabilities lie. If and when that happens, students start avoiding the library, seeing it as a foreboding place where they do not belong.

We never want them to feel like they don’t belong. Right? So be silly. Tell a joke that revolves around a pop cultural artifact that has worldwide appeal. No matter where we are from, certain things are popular. Star Wars, Beyonce, Harry Potter… it isn’t difficult to find common ground. Use it to get some laughs, put their minds at ease, and create a learning experience they will never forget.

O stands for Optimism: And finally, help these students believe. When you are working and learning in a second language, particularly one as difficult as English, confidence is a fragile thing. Setbacks can be crippling, and doubts about one’s ability to succeed (not to mention the time and money put into coming to the U.S.) can set in quickly. Numerous students have shared their “I almost quit” stories with me since I started working with this population, and they all have pretty much the same plot: a failure of some sort, painful phone calls to friends/confidants expressing regret and fear, worries about how family may react when they go home in “disgrace,” and (for those who stuck it out) a eureka moment where they got the right help to carry them through their struggles.

A librarian can be that help. Be that help.

When working with an international learner, using phrases like “yes, you’ve got this” or “I can tell you understand this stuff” can make a massive difference as that student continues working through their assignments. The reassurance of an expert goes a long way towards solidifying confidence and building a strong mindset for success. And they’ll remember the part you played in that success, I promise you.

The world isn’t slowing down anytime soon, and neither is the influx of international students to U.S. schools. Cultural literacy and competency is going to become one of the most critical skills our library staff can possess. So as you find yourself working with this population – whether individually or whole classes – take just a moment to remind yourself to test for E.C.H.O. Trust me – you’ll be glad you did. And you’ll have more than a few of those kinds of days.

Lingering Lockout Questions

It’s been a week since the faculty — including library faculty — at Long Island University’s Brooklyn campus returned to the Fall semester. Just before the semester began, they were locked out by the university administration when their contract expired and before they could vote on a new contract. I know many of the librarians at LIU, some were formerly at my own university (City University of New York), and I count them as both colleagues and friends. I also live and work very close to the campus; I walk right by it on my way home each day.

While news of the lockout was initially slow to break, after the first few days both mainstream and education news began to run coverage of the lockout. If you weren’t following the lockout as it happened, you can catch up on the websites of my local paper, the Chronicle of Higher Education, and our own Barbara Fister’s great piece on Inside Higher Ed. And for a thoughtful discussion of the end of the lockout and future concerns, I recommend Emily Drabinski’s interview in Jacobin Magazine. Emily is both a librarian and the secretary of the faculty union (and, full disclosure, a friend); her Twitter updates were instrumental in getting the media attention that the lockout deserved.

I’m so relieved for the librarians, other faculty, and students that the lockout is over, that I no longer see police fences to corral protesters when I walk home past LIU’s campus. But I’m left with lots of questions, and I’m sure I’m not the only one. I’d been a member of CUNY’s faculty union when I was Instruction Coordinator, the only union job I’ve ever had. As a Chief Librarian I’m now on the management side, since mine is a title that’s excluded from the union. CUNY has had its own lengthy contract negotiation process, settled only this past summer after the old contract expired in 2010. But I realized over the past few weeks that I know little about unions, the history of labor, and the impact on librarians and libraries. I care very much about library workers — at my place of work and libraries generally — and it’s clear I have work to do to learn more.

I’m also left with questions like “what’s next?” Certainly LIU’s faculty and administration go back to the bargaining table to begin contract negotiations again. But what’s next for academic libraries? For higher education more generally, at institutions with and without a union? When faculty are replaced (even temporarily) and students walk out, is the college still doing the work of a college?