Is it too late for a round-up post of the books I read this past year? I don’t really think so (or care, actually); I’d love to talk about a few of the 56 books I read this year. This has been my highest reading year since I was probably a middle schooler, and I’m really pleased with the mixture of work-related books versus the fiction I read for pleasure. I’ll focus on those work-related ones, since this is a blog about academic librarianship, after all, but I’ll throw a few novels in there for good measure (and maybe for you academic librarians to add them to your leisure reading collections?).
During 2025, I spent a lot of time co-authoring a book chapter that addresses Generative AI, libraries, and social justice. I also did a few presentations that addressed GenAI, inevitability narratives, and critical interrogation of the technology. This informed most of my work-related reads, which included two of my seven 5-star reads of 2025: Imagination: A Manifesto by Ruha Benjamin and The AI Con by Emily M. Bender and Alex Hanna.
Imagination is a book I’m going to continue coming back to again and again as a guiding principle for my life as a whole, but most certainly in the career I lead as a librarian. It’s a short read, only 192 pages, but those 192 pages make you remember that imagination as an essential part of social change; there has to be a vision, and you have to dare to have that vision despite what the world is telling you. Imagination is not something that should be relegated to the very young or to the creative professions; it can and should lead us to questions, to answers, to a dream that seems impossible but maybe it’s not. The main voices we are hearing right now are the “techno-utopianists,” those lauding things like Generative AI as what’s going to save us. Save who? From what? This quote from the book continues to resonate with me: “Meanwhile, the dominant story told by techno-utopianists to lull us to sleep is that the world’s major crises can be solved with even more investment in their energy-intensive digital dreams, which usually also means less public participation and collective dreaming” (108).
The AI Con is an accessible rebuke to the AI hype that we’ve been seeing not only all around the librarianship profession, but in the world at large. Bender and Hanna do a wonderful job of laying everything out in an approachable format. Bender has been writing in this field for a long time; she was a co-author on the instrumental conference proceeding, “On the Dangers of Stochastic Parrots” from 2021. Hanna is the Director of Research at the Distributed AI Research Institute (DAIR). Bender and Hanna run the podcast, Mystery AI Hype Theater 3000. If you’re going to read anything that addresses Generative AI, make it this book. I really appreciated that they had a section for information literacy and libraries specifically near the end of the book as well. They talk about the inherent lack of friction when you do a “search” with a chatbot LLM interface rather than using something like a database. Many of us as librarians know that friction is a good thing; it forces you to think more deeply and critically about your topic and the keywords, you might find sources that cause you to think differently, and friction will make you more likely to ask for help from the experts. This quote I think captures a lot from the book: “AI hype reduces the human condition to one of computability, quantification, and rationality” (32).
I also read Careless People: A Cautionary Tale of Power, Greed, and Lost Idealism by Sara Wynn-Williams and Empire of AI by Karen Hao, which are both deep dives into two of the biggest tech companies and their founders: Facebook/Meta and OpenAI. Wynn-Williams’ book is very focused on her personal experience while at the Facebook company with Mark Zuckerberg, which Hao is an outsider looking in on Sam Altman and OpenAI’s many controversies over the years. Hao also makes an explicit connection between GenAI, empire, and colonialism: “they, too, seize and extract previous resources to feed their vision of artificial intelligence: the work of artists and writers; the data of countless individuals posting about their experiences and observations online; the land, energy, and water required to house and run massive data centers and supercomputers” (I read this one on Kindle, so I don’t have a page number). Both of these books gave me a solid foundation and things to consider about these tech companies that infiltrate so much of life and the information landscape these days.
Finally, I wanted to talk about a couple of the fiction books that reminded me of how much I love the written word. The first 5-star read of my 2025 was Beautyland by Marie-Helene Bertino, which is a beautiful pondering on what it means to be human. The premise is that Adina, born in Philadelphia, is able to contact her extraterrestrial relatives via a fax machine. She sends regular reports on how Earthlings behave and act. It’s one of those books where I had to stop after certain passages and just think and feel what I was feeling. One of my other 5-stars was Sunburn by Chloe Michelle Howarth, which I read in a single day. It is set in the early 1990s in the Irish village of Crossmore, following main character Lucy as she navigates falling in love with her school friend Susannah in her very traditional small town. Howarth’s prose is truly beautiful and sends you on a winding emotional roller coaster (because that’s how adolescence feels). I bought this one from a local bookstore for our book club, and it is FULL of highlights and notes from me. This book too is absolutely one that I will be returning to.
What were your big books from 2025? Are there any that you’re really looking forward to reading for 2026? I am currently making my way through Critical Data Storytelling by Kate McDowell and, like most librarians, my to-read list is never ending.

