Technologies of the self in academic librarianship

Some thoughts on the “why” of professional development.

Photo by Bohdan on Unsplash. Alt image: a multicolored ladder leaning on a gray stone wall.

Premium skills

I subscribe to Book Freak, a substack newsletter by Mark Frauenfelder. In short, each newsletter summarizes a few main takeaways from “great books and thinkers to help improve yourself, boost productivity, build the life you want, and generally live better.” I’ve found it a concise way to consider new ideas from authors I would otherwise not have time to read (as my teetering bedside stack of similar books gathers dust in lieu of fantasy/sci-fi).

In a recent issue, Frauenfelder covered some key points from So Good They Can’t Ignore You by Cal Newport, professor of computer science at Georgetown University and author of Deep Work. According to Book Freak, Newport advises that the best path to a tailored and meaningful career is via “the accumulation of ‘career capital’ — rare and valuable skills that can be traded for greater autonomy and impact.”

I mention Book Freak a) because I like it, and b) because I want to clarify that I have not read So Good They Can’t Ignore You—only a very short summary of some of its points. I’m sure there’s plenty of nuance I can’t speak to. That said, the advice to “Identify the core skills in your field that are both rare and valuable” and “Make a concrete plan to systematically improve these skills” spurred some thought about what those skills might be for an academic librarian. I asked a few mentors. Their response was mostly that specific valuable skills would depend on whichever area of librarianship one found themselves in, given the disparateness of academic library specializations; or perhaps that rare and valuable skills, like knowledge of scholarly communication intricacies in my case, is what qualifies one for specialized library positions in the first place. I’m curious what readers might posit as rare and valuable skills in their areas, or whether there are skills whose rarity and value would span all academic library positions.

Skills for whom?

Yet, a disheartening counterpoint to all of this is that rare and valuable skills won’t help you thrive or even save your job if your library is being stripped for parts. Brilliant librarians are being laid off at universities around the country (e.g. Duke, Northwestern, UC San Diego, Western Illinois). Some of these layoffs were the result of direct attacks on higher education; some were probably due to structural economic changes to the information landscape; all of them represent a devaluation of library work. In this climate, grinding for new skills doesn’t guarantee job security, although it may help with a career transition. Tressie McMillan Cottom has said in many places that the “institution does not/cannot love you.” Institutions exist to maintain themselves at whatever cost. I feel that a lot these days.

The logic of pursuing skills that might endear us to loveless institutions is a concrete example of how soft power influences the way we move through the world: what is valuable for us to spend our time learning is defined by what is useful to the institution, or to those in power within the institution, or in an even broader sense, by those with power through the generations. But, in a classic structure vs. agency paradigm, we retain some degree of human agency within and despite the visible and/or discursive structures that order our lives. Here, I’ll invoke some (probably tacky) Foucault, or rather a more digestible interpretation of his theory on “technologies of the self” from the Stanford Encyclopedia of Philosophy:

“Subjects are not simply constructed by power; they themselves partake in that construction and modify themselves through practices of the self. They are not just docile bodies, but actively refuse, adopt and alter forms of being a subject. One way of contesting normalizing power is by shaping oneself and one’s lifestyle creatively: by exploring opportunities for new ways of being, new fields of experience, pleasures, relationships, modes of living and thinking.”

Threading the needle?

So, I close with two questions: a) what would “technologies of the self” look like for those of us working in academic libraries, and b) could they ever overlap with pursuit of “career capital” skills that are rare and valuable to institutions that cannot love us? In a practical sense, I’m not sure if resisting the institution is the way for more of us to keep our jobs… perhaps you are inherently a subject of the institution when you agree to receive a salary. I generally like what I understand my job to be, and I want to keep doing what seems worth doing. I also want to pursue skills and ideas and actions that align with my interest in stewarding information for the public good, but it’s hard to predict how higher educational institutions may or may not value that ideal in the future.

The best answer I can posit right now focuses on the word “creatively” in the encyclopedia quote above. After reflecting on my individual values and goals, I’d like to explore skills that will allow me to approach my work more experimentally and flexibly in alignment with those goals. Creativity may sound like a cliché thesis, but it’s easier said than done; it’s the highest tier of Bloom’s taxonomy, and it’s challenging to even identify how to increase creative capacity. Some of the skills I may explore through this approach to professional/personal development might be perceived as directly institutionally valuable, and some might not – via a course on fiction writing, for example. The overarching benefit would be my ability to do or create something with those skills that feels novel and generative and aligned with my professional values. The ability to be creative in one’s work tends to help the institution in the long run, even if the goal of shaping oneself creatively would be partly to resist normalizing power, in this case. To the institution’s credit: I’m not sure it counts as love, but I do appreciate the professional development stipend.

Making Things in Academic Libraries

The past few months have seen lots of discussion about makerspaces in libraries. What’s a makerspace? Buffy Hamilton’s great post over at the Unquiet Librarian has a couple of good definitions, but essentially it’s a place for folks to make things, perhaps writing and illustrating a zine, using the open source Arduino computing platform to program a robot, screenprinting, or creating model houses with a 3D printer. Makerspaces often include tools and equipment that are too expensive or specialized for most people to have in their homes, as well as provide a gathering place for like-minded hobbyists to create and collaborate.

Makerspaces seem like a great fit for public libraries, which often run programs designed to teach new skills and to create something, like an arts and crafts hour for kids. And indeed, some public libraries are experimenting with makerspaces, including Fayetteville Free Library in New York, Westport Public Library in Connecticut, and Cleveland Public Library in Ohio.

What could a makerspace look like in an academic library? What do we help our patrons make? We have computer labs, some more specialized and high-end than others, and we could add equipment like 3D printers. Of course, not every library will have the funding and staff to create tech-centered makerspaces. And faculty and departments may already have that equipment for students to use, especially those in engineering, computer science, and other technical majors.

For those colleges or universities that can’t create a physical makerspace, what are some other ways we can encourage the maker ethos in our libraries? When it comes to instruction and information literacy, I’ve definitely got a some ideas about how to make things with students in a semester-length course. We could produce a student journal or create a zine, and I have a colleague who asks students to create their own citation style. But I’m struggling with the idea of the one-shot instruction session as makerspace. What can students “make” in a one-shot? If we give them a worksheet to fill in or ask them to come away from the session with a specific number of sources to use for their assignment, have they made something?

Perhaps applying the makerspace concept to library instruction and information literacy really means expanding our own understanding of what we do when we work with students. We’re not just teaching them to find information — when we help them zero in on a source that really fits their needs, we’re supporting them as they make: make new knowledge for themselves, construct the outline for their assignment, build their ideas into an argument.

All the same, I’m interested to think about how we as academic librarians can take the concept of libraries as makerspaces even further, especially with students. We need to find ways to support creating, not just finding. The Student as Producer project at the University of Lincoln in the UK is an interesting model to consider. Undergraduates are deeply involved in research across the curriculum, and thus come to their college studies to actually create knowledge rather than passively consume it. Again, this is something that perhaps comes more easily to faculty teaching semester-length courses or doing lab research with their students.

How can academic librarians, our contact with students often limited to a few minutes at the Reference Desk or an hour or so in the classroom, become involved at the making, producer level with students?