Supporting the other side

So far in my research career, I’ve put a lot of stock, energy, and passion around the benefits of hiring and supporting student employment in the library. It’s the topic that gets me most fired up at conferences, the thing I’ll tweet about until I can’t tweet anymore, and one part of my job that I keep coming back to, regardless of my job title. I believe in the potential of undergraduate employees to be crucial part of the library. I believe that if you set the bar high, undergraduates will rise to the occasion. But recently, I’ve realized that in that belief, I had forgotten about the other side: the role of the supervisor.

A few months ago, I worked with a colleague to put together a landscape survey around student employment in our libraries. The goal was to discover who in the library was supervising students and if we could find areas of synergy. We asked questions around hiring, on-boarding, continual training, and barriers to success. As we reviewed the answers, the one I remember the most clearly mentioned that as a supervisor, they felt unprepared because the rules and policies around hiring, training, and supporting student employees were unclear. It’s one of those things they never give you a manual for, you’re just suppose to know. And of course, any manual that might exist is in pieces, scattered throughout HR websites, the library’s intranet pages, and library legends told to you by your colleagues. This stuff isn’t clear or transparent and often requires lots of time to figure out. This was the first moment where I thought, “Okay, building a program is more than just for the students. The supervisors also are an audience to consider.”

Recently, I’ve been reminded of this fact when I was leading an informational session on our internship program. In the session, as we talked about the components of the program, including a new community of practice group I’m building, one participant asked, “Will the supervisors also meet regularly, just like the students?”

After a small beat, I nodded. “Of course.” I was reminded of the survey and once again reminded of my own assumptions around supervision. In reflecting on that situation, I think I assume that people who had studente employees for a long time just knew how to do in a meaningful way. But it’s becoming more clear that just because you have student employees, doesn’t mean that you know everything or feel supported.

And upon even further reflection, I realized that since I started trying to create some program structures for our interns, I’ve done my share of complaining about how I never hear from some interns and that I can’t seem to get through to some of their supervisors. I often chalk it up to structural issues, or a desire for an official announcement to the library about my role with our interns. However, the more I think about this angle, the more I realize part of the problem is that while I logically understand having an intern takes a ton of time and energy, I’m not valuing that idea in practice. I’m not recognizing or finding ways to support my colleagues who do this work. In other aspects of my job, I talk about how I am there to support my colleagues who do student engagement, and this also applies to student employees and their supervisors. This support can happens in many ways — from having intern community of practice meetings to getting the supervisors together to let them know they’re not alone in this. I’m a coordinator and that means both for students and for my colleagues.

For every program that we create to support our student employees, we are also responsible for creating the necessary structures and support for our supervisors. If we want unified programs, complimentary training modules, and a shared vision for student employment in the libraries, we have to create the network for our supervisors. This lines up so nicely with George Kuh’s definition of student engagement, where institutions must be willing to provides the resources and support for these opportunities. If we want meaningful internships or purposeful part-time employment, we have to be willing to provide the support (through professional development, regular meetings, and honest conversations) to our supervisors. Neither the students nor supervisors can do this work alone and both groups need to feel supported in this endeavor.

So where do I go from here? I’m trying to be more intentional and start thinking of how I can help build those structures in my role. I’ve started using the word “support” in talking to supervisors about my role with our interns. I’ll probably add monthly intern supervisor meetings to my calendar this fall, and start to note down obstacles that this group might face (and how we can problem solve together). As the moderator for both groups (students and supervisors), I’m in the best position to provide feedback to either group and translate each other’s needs to one another.  

At your library, how do you (or others) support the supervisors who oversee your student employees? Do supervisors meet on a regular basis? Are they given chances for professional development or ways to gain new supervisory skills? Let me know in the comments or on Twitter!


Featured image by Riccardo Bresciani from Pexels

Celebrating friendships in academia

I first saw this tweet in a direct message between myself, Chelsea, and Charissa, after we got back from a little writing weekend in Austin. It seemed so appropriate that would see that tweet after spending four days eating breakfast tacos, running through the rain, and writing our LibParlor ACRL paper.

In the following days, I couldn’t stop thinking about that tweet. So, I want to spend this post creating a little space to talk about and celebrate friendships in academia. Spoiler alert: the goal of this post is to confirm that yes, these friendships are important. For me, my friendships in academia are also bound up in the fact they almost exclusively female friendships, so this post also seems apt with Galentine’s Day approaching.  

When I think about who knows the most about my day-to-day, it’s friends who are either are at the institution with me, or at another academic library somewhere in the United States. The common thread that  pulls us together is how we, as professionals, navigate the ecosystem of higher education. What we’ve learned through our friendship is that despite being in different places, departments, or stages within our careers, there is still a lot we share in common as we figure out how to work within and disrupt this system. And from that common thread, our friendship expands, into the rest of our lives.  

Last year I read Text Me When You Get Home: The Evolution and Triumph of Modern Female Friendship by Kayleen Schaefer. I couldn’t put it down, mainly because Kayleen’s thesis of the importance and recognition of female friendship really resonated with me. In seeing that tweet about friendship in academia, I immediately thought of Kayleen’s book. I think a lot of the conclusions she comes to could be transposed into an academic context.  

For example, Kayleen states that, “We’re reshaping the idea of what our public support systems are supposed to look like and what they can be” (6) through female friendships. Both in graduate school and now in my job at Penn State, I look to my gals to celebrate successes and work through challenges. When I first “became” a librarian, I use to get frustrated that my family didn’t understand what I was doing. I had been taught that a close family meant they would understand all the intricacies of my job. I finally realized that my family wouldn’t get why I did outreach, would not understand the full extent to which I tried to build community in an academic library, and would forever to fuzzy with what tenure was and how I was trying to achieve it. That is okay. Instead, I realized it was more meaningful to turn to my friends who are also in this academic space. They are my support system; they keep me in check, talk through ideas, cheer me on, and show up when I need them. And in being each other’s support system, we all find ways to show up for each other; if they shine, I shine.  

To bring these ideas together, I do want to share one friendship in academia story. When I first started at Penn State, I was lonely. I didn’t work typical, 9-5 hours or even the normal Monday-Friday work schedule. In the beginning months, as I stayed true to my hours, I missed opportunities to get to know other librarians who were in my department and across the library. However, as I got acquainted with the library during those off hours, I also got to know my closest friend at the library: Rachel. Rachel works in our Lending and Circulation department and in those first months, she taught me so much about the library. I could count on her to help me with just about anything — from looping her employees in on how to get a hold of me, to understanding the ins and outs of closing the library, and more. It was nice to have a gal working similiar hours. Eventually we our work friendship became just a good old friendship. While my job doesn’t overlap as much with hers anymore, we still find ways to collaborate and since she has just as much passion as I do around training student employees, we have found our own ways to make our jobs cross paths. If something is bothering me at work, you know she’s the one I’ll send a Slack message to or hope that I see her when I go pick up a book at the desk. Our friendship is one big part of my work-life narrative and I know my thoughts about the library would be different if we weren’t friends.     

And Rachel’s wasn’t the only story that came to mind when I saw that tweet; I’ve got a whole little collection of friendship meet cutes stories. I feel lucky to know so many wonderful women, doing great things in academia and I’m glad I get to be there to watch it all unfold. In the beginning chapter of Text Me When You Get Home, Kayleen says, “I look to my friends for the kind of support that comes from wanting only to be good to each other”(5). This idea feels important for academic friendships, especially when we are in an ecosystem that can be competitive, especially between women. Female friendships within academia can be a way we can subvert that competition aspect. Sure, at times we might be in competition, but these friendships remind us that at the end of the day, we want the best for one another and need to show up for our friends. Having good friends who can help you through academia does count and does make a difference. So, what does friendship in academia mean to you? How do you celebrate these friendships? Let’s keep this conversation going.  

 

Student Workers: What do they owe us, and what do we owe them?

Whether you want to start a new habit or break an old one, the new year is a popular time to reconsider our patterns. In the academic library, the switch between semesters gives us a chance to start over – in the classroom, with our colleagues, and with our student workers. The questions I’ve been asking myself have to do with my role as a student supervisor: What do I owe these students and what should I expect from them?

We owe them mentoring.

Whether it’s in my job description or not, I’m more than a supervisor to our undergraduate student workers. I’m one of the main “adults” (by which I mean non-student, non-teacher) in their lives at school, a sounding board for homework questions but also the delicate issues of college social life. I can think of conversations from last semester where I thought, “Should I give my honest advice here, or let her make the mistakes I made and learned from when I was in college?” Mentoring student workers can be tricky and emotionally taxing, but it is very rewarding.

One of my colleagues says that part of our role as student managers is to be a campus ally, and I agree. Undergraduates face all kinds of real world obstacles during their time in college, from stress and mental health to poverty and family needs. Our student workers view us as a stable presence that can help them navigate campus resources and personal dilemmas. Even as I recognize the emotional labor cost of this work, I believe we owe our students a mentoring relationship, interest in their lives and their success. It’s worth our time, and absolutely part of our job.

We owe them meaningful work.

There’s been a conversation at my library lately about giving our student workers more meaningful work, beyond administrative and clerical duties. We’ve been brainstorming how to ask more of our student workers while still honoring their pay grade and what’s fair. But I don’t think we quite know what we mean by “meaningful work” yet – should we give away all the fun tasks like social media and event planning? Don’t our students expect to get homework done at the desk?

Recently I’ve encountered two models for student work that I found interesting. Hailley Fargo makes a good case for encouraging student employees to provide peer-to-peer reference services in her article for In the Library with the Lead Pipe: “Just like we value a librarian’s subject or functional expertise, we should also value our students’ expertise and the experiential knowledge they bring into their role as peer mentors/leaders…Just like we speak the language of library and information science, our students speak the language of their peers and this can be incredibly powerful.” Careful training and building student worker confidence so that they can handle more complex questions at the reference desk might be one answer to the meaningful work question.

I also had the privilege of meeting with the librarians at Gettysburg College and learning about their Peer Research Mentor (PRM) program, which was created to give student workers a high-impact learning experience beyond the traditional responsibilities of a library student gig. In both of these cases, the authors emphasize the importance of thorough and on-going training, and in an understaffed library that makes me tremble. But even if I am not sure how to find the time for this yet, I admire how the librarians at Gettysburg have worked to make the ongoing training fun and connected to real-world work responsibilities – from “research question of the week” activities to attending and running department meetings. Every library harnesses their student workforce differently, and comparing notes with other librarians will help our library find the way that works for us.

They owe us their labor – within reason.

If job creep bothers me in my position, then I should be a guardian against responsibilities sneaking up on my student employees as well. The librarian at Gettysburg who described the PRM program to me emphasized that these students are separately recruited, trained, and paid to reflect their additional responsibilities, and I think that’s key to harnessing student labor ethically.

I think that job descriptions should be as transparent as possible, regularly revisited, and created in collaboration between manager and employee. I don’t like the words “other duties as assigned,” because I think they crack the door for job creep, and I don’t want to exploit our student workers. And for good and bad, this is the first job of many of our student workers. It’s a good sandbox for them to learn professional norms like reliability, work attire, and taking initiative. It’s also a chance for their supervisors to demonstrate healthy management and boundaries.

We owe them respect.

In my tour of the library at Gettysburg, I was struck by how the staff worked to honor the contributions of their student workers. Student employees who work in rare book repair or the college archive are credited for their labor in archives publications and on the rare book containers themselves. The PRMs, with guidance from their librarian advisors, are trusted to design drop-in workshops and even help teach information literacy sessions. We should show that we value our student workers and their contributions to the library.

We often say they’re the public face of the library, and the assistance they provide makes a lot of things possible. At our library, student workers make regular shelving (and my lunch break!) possible. With great responsibility should come at least a little power – a say in programming or marketing materials, a voice at staff meetings perhaps, or their work memorialized by bookplates and other employee celebrations. Connecting the shelving, printer restocking, and front desk management to our larger mission makes those tasks meaningful too. It’s worth taking the time to help our student workforce see how they advance the mission of the library, and celebrating their contributions how we can.

As I conclude this blog post, I realize that I’ve been thinking out loud and I don’t have a simple definition for the give and take of the librarian/student worker relationship, but I’d like to continue this conversation. How does your library manage and/or mentor its student workforce?

Weaving It Together

Image from "Technology of textile design. Being a practical treatise on the construction and application of weaves for all textile fabrics, with minute reference to the latest inventions for weaving" by E.A. Posselt is in the public domain. Courtesy of the Internet Archive via Flickr.
Image from “Technology of textile design. Being a practical treatise on the construction and application of weaves for all textile fabrics, with minute reference to the latest inventions for weaving” by E.A. Posselt (1899) is in the public domain. Courtesy of the Internet Archive via Flickr.

I recently finished writing my narrative statement for my second year tenure review file. It felt like pulling teeth. The statement required me to weave together the aspects of my work as well as my research and service to tell a meaningful personal story about my professional purpose and goals. The other sections of the file–the description of accomplishments, presentations and publications, committee work, etc.–were a piece of cake by comparison. I’m not sure why the statement felt quite so difficult, but, boy, did it ever.

All my teeth-gnashing about my narrative statement made me think about a program I developed with colleagues this semester, a series of panel discussions that we called “From Concept to Creation: Uncovering the Making of Scholarly and Creative Accomplishments.” We developed this program in order to celebrate the work of our faculty and staff. Even more importantly, though, the idea for this series grew out of a desire to share stories within our campus community about how we engage in research and creative work. We wanted to host conversations about process, not just product. In sharing a behind-the-scenes look at their work, we were hoping panelists would reveal their steps and stages, but also the information literacy and digital literacy skills, habits, and attitudes that were important to each project. I was excited about the potential of this panel series because I think uncovering process is not just interesting, but empowering. And by increasing the transparency of their component parts, we hoped these kinds of research experiences might feel more approachable to our students.

In conversations with panelists as we prepared for the series, we offered guiding questions they might consider as they prepared their remarks like the following: How did you take your first steps?, How did you ask questions?, How did you identify a path for your research?, How did you engage with other scholars’ work on the topic to develop your own?, How did your work change course during the process?, What attitudes were important to your process?, What skills and tools were key to your process?, How did you gather/organize/analyze data?, How did you draw conclusions?, and What did you learn along the way?.

I had imagined panelists would likely select a particular publication or project and discuss some aspects of its development. Instead, most chose to talk about their undergraduate experiences and their entry into graduate work or their field. Panelists described choices they made, challenges they encountered, and how their paths changed over time. Embedded in each of their stories, too, were practices and perspectives related to information literacy that seemed to me to have been crucial to their process.

What strikes me most now, though, is how each panelist interpreted the program theme and the guiding questions and how they chose to tell the story of their work. When my collaborator and I asked our colleagues to talk about their research processes, I didn’t give much thought to how personal their stories might be. As I reflect on the difficulty I felt in drafting my narrative statement, I’m thinking about the balance I, too, was trying to strike. I’m thinking now about how we weave together process and purpose, personal and professional to help focus and understand our work.

Leisure reading collections in the academic library

Here’s my honest opinion: I wasn’t a big fan of collection development during graduate school. When I was supervising the residence halls libraries at Illinois, putting new books in my virtual cart was always at the bottom of my to-do list. I didn’t have a good system of finding new books and once I found something cool, usually one of my colleagues had it in their cart. For me, I was always more interested in using my time to support the student employees or plan programming with residence life than I was in spending my time building a collection. The work of collection development felt like a chore.

Needless to say I was jazzed when I started at Penn State and had zero collection development responsibilities. I could go back to just me requesting the books for myself I heard about on podcasts or read in the many email newsletters I subscribed to. I “escaped” collection development for two years and this fall, the Leisure Reading  collection in the Pattee & Paterno Libraries fell on to my plate of responsibilities.

Leisure reading collections (also known as recreational reading, browsing collection, or popular reading collections) were first started in academic libraries in the 1920s and 30s, when a core value of academic librarians was to promote reading. These collections became less prevalent in the 1940s and 50s, when war impacted library budgets and people found it less important to have these collections (Dewan, 2010). It wasn’t until the 1990s that academic libraries started to create leisure reading collections again and publish on the importance of these collections. These collections continue to get pushback from the academic library world; some consider the collection not within the mission of an academic library; others talk of tight budgets and space limitations (Alsop, 2007); there is even an assumption that faculty, staff, and students do not have or any interest in reading for leisure (Van Fleet, 2003). However, more recent studies have shown the benefits of reading for leisure, including a correlation with higher academic achievement (National Endowment for the Arts, 2004), promotion of critical thinking, and improvement of reading comprehension and developing one’s own writing voice (Rathe & Blankenship, 2006; Trott & Elliott, 2007). But just like anything done well, building this sort of collection takes time, energy, and resources.

The decision to put the Leisure Reading collection on my work plate was strategic — pivot the collection to take a student engagement approach, leverage the talents and energy of our student engagement intern and part time student employee to help with the vision and maintenance of the collection, and tie the collection more closely with our outreach work in order think about how we highlight and promote this collection. During the first few weeks where the collection was now “mine,” I drew inspiration from UCLA’s Powell Library, who worked with students and student clubs in a variety of ways to help build a student-driven collection (Glassman, Lee, Salomon, & Worsham, 2017). I felt like I was sort of stumbling through the dark those first few weeks, just trying to understand what the collection was, and where we could take it. Luckily, I wasn’t tackling this project alone — the Leisure Reading team is up to five: 3 full-time library employees, and two student employees.

I definitely took for granted the system that the residence halls libraries had set up for collection development. As a small system, we didn’t have too many other people to work with in order to keep the collection up and running. Here at Penn State, there’s 10+ people or groups interacting and supporting the Leisure Reading collection in some way. This meant that any changes we decided to make, had to be communicate clearly and often to all those involved. These folks also gave us some of the best feedback on the collection; their sometimes daily interaction really helped the new team wrap our heads around the current situation and see potential ways forward that would make the collection easier to find and use for both staff and patrons.

Our collection is mostly leased; something I hadn’t really considered before. In doing some research about recreational reading collections in academic libraries, I learned that academic libraries have been talking about leased collections since at least 1976 (Cushman) and people are interested in the pros and cons of having this type of collection, especially when considering if these popular books are “worthy” to keep for a long time (Odess-Harnish, 2002). Part of our lease agreement is that we get to keep a percentage of the books we lease, giving a new option to the research already out there about leased collections. Our monthly weeding gives us the chance to think about what we should keep and starts to give us a better sense of how our patrons are using this collection.

A big challenge that the Leisure Reading team tackled in the first few months was wayfinding and discoverability. Our collection is shelved in the Library of Congress classification, which can make it confusing to figure out where the new book by Phoebe Robinson or Tana French is going to be. As Pauline Dewan says so succinctly, “The Library of Congress classification is not an effective scheme for browsing fiction” (2010, p. 44). Our two student employees helping with the collection learned first hand how difficult the classification system can be when creating new signage to help people discover new items in this collection. But, we are working on it — trying things knowing they might fail and also trying to get as much feedback as we can from the people actively using the collection. The collection is constantly a work in progress.

As we look towards 2019, there are big plans on the horizon for this collection. Our spring will be devoted to tying the collection more closely to programming, making a stronger connection between our leisure reading and viewing (DVD) collection, and assessing if the things we are doing are actually impacting circulation and patrons who use the collection. The past several months, I’ve come to love this collection; it’s tough and challenging but it’s fun to collaborate with others and try to build a dynamic, usable, interesting collection.

Do you have a leisure reading collection in your library? Do you help maintain the collection? If you are in charge of this collection, what are some challenges you face and what are exciting elements of this sort of collection in an academic library?

References:

Alsop, J. (2007). Bridget Jones Meets Mr. Darcy: Challenges of Contemporary Fiction. The Journal of Academic Librarianship, 33(5), 581–585. https://doi.org/10.1016/j.acalib.2007.05.004

Cushman, R. C. (1976). Lease Plans– A New Lease On Life For Libraries? Journal of Academic Librarianship, 2(1), 15–19.

Dewan, P. (2010). Why Your Academic Library Needs a Popular Reading Collection Now More Than Ever. College & Undergraduate Libraries, 17(1), 44–64. https://doi.org/10.1080/10691310903584775

Van Fleet, C. (2003). Popular Fiction Collections in Academic and Public Libraries. The Acquisitions Librarian, 15(29), 63–85. https://doi.org/10.1300/J101v15n29_07

Glassman, J., Lee, S., Salomon, D., & Worsham, D. (2017). Community Collections: Nurturing Student Curators. In S. Arnold-Garza & C. Tomlinson (Eds.), Students Lead the Library: The Importance of Student Contributions to the Academic Library (pp. 77–92). Chicago, IL: ACRL.

National Endowment for the Arts. (2004). Reading at risk: A survey of literacy reading in America. Retrieved from https://www.arts.gov/publications/reading-risk-survey-literary-reading-america-0

Odess-Harnish, K. (2002). Making Sense of Leased Popular Literature Collections. Collection Management, 27(2), 55–74. https://doi.org/10.1300/J105v27n02_06

Rathe, B., & Blankenship, L. (2006). Recreational Reading Collections in Academic Libraries. Collection Management, 30(2), 73–85. https://doi.org/10.1300/J105v30n02_06

Trott, B., & Elliott, J. (2007). Academic Libraries and Extracurricular Reading Promotion. Reference & User Services Quarterly, 46(3), 34–43. https://doi.org/10.5860/rusq.46n3.34